I started this book expecting one thing and I was pleasantly surprised with what I took away from it.
A lot of historical fiction set in World War II is set in the midst of the war. This book was unique because it starts before the Germans invade and occupy Paris. Right there I knew I was in for something different. The opening scenes of Michel trying to leave Paris were harrowing, and perfectly captured the panic and urgency of the situation.
I found Michel to be a complicated lead character. On the one hand, he seemed like a drifter and someone who had no particular attributes that made a reader want to root for him. I couldn’t quite get a grasp on who he really was. I think perhaps that was purposeful because it allowed him to fit in with the group he ended up with ultimately.
That group is the reason this book is good. The main thrust of the plot is the woebegone circus trying to find places to perform in the face of impending war. The juxtaposition of the horrors of war and the magic of a circus is clever and made the emotions around each much stronger. For each bit of news or encounter with the Nazis, I wanted the joy of the circus to hang on a little bit longer.
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Not that the circus doesn’t have its problems, but it’s up to the reader to find out what those are (I am definitely not going to give away plot points here). I will say that I suspected a major one and was not surprised by it. But I loved reading about the backgrounds of the various circus performers and felt that they really came alive from the pages.
I did think that there was a big but slow build up, as most of the book covers just over a year or so. But then the last 10% of the book covers years and we get the wrap-up of all of the characters briefly and almost as an afterthought, not to mention the end of Michel’s story is very abrupt. I felt like there had been so much invested in these characters’ stories that they deserved a better ending.
My only other complaint is that the title gives away a major plot point (well, two, kind of). I couldn’t get behind Michel’s worries as he joined the circus because of the title. That was a shame, because his concern did add to the tension of the plot. But it ultimately meant nothing to me because I knew the truth.
It was magically lyrical at times and was a nice departure from the usual historical fiction settings. I would recommend this book.
Author Bio
Carly Schabowski worked as a journalist in both North Cyprus and Australia before returning to Oxford, where she studied for an MA and then a PhD in creative writing at Oxford Brookes University. Carly now teaches at Oxford Brookes University as an associate lecturer in Creative Writing for first and second-year English literature students.
