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So, what do you do when you guess a major twist early in a psychological thriller? Do you stop reading because you think you know what happens? Or do you trust the author enough to keep reading and see if you’re right?

And if there is anything else up their sleeve?

This is my dilemma with this book. I was so certain that I was right that I wasn’t sure if I wanted to keep reading. Fortunately, I went with my gut and chose the latter. I’m glad I did because there is a lot more to unpack than meets the eye.

The author does a great job of keeping the reader off-balance as to who is good or bad. But are those lines easily drawn anyway? There are more than a few additional twists and some pretty nifty character projections.

And the final pages completely cast the whole previous story in a different light.

I think Sara is a unique character. On the surface, she seems like a normal, shy person who has a routine that she prefers to stick to (rather than try new things). However, it becomes very clear that there are a lot of undercurrents to her and that is largely a façade.

To me, the way she treats Poppy is indicative of how she feels about people and animals in general while also illustrating how damaged her psyche is.

How’s that for not being a spoiler?

I found Bradley to be quite a conundrum. Kudos to the author for that as well. I was never sure of his status (friend, foe, faker, or fatality) – I thought he was each of these at one point or another throughout the story.

I think that Sara and Bradley’s relationship is the perfect example of “like attracts like” because they are more similar than either of them realize.

There are a few parts that seem to be glossed over or the explanation doesn’t entirely ring true to me. Even after finishing the story and realizing why the author made those choices, I still am not entirely sure.

But it wasn’t enough to keep me from liking this psychological thriller.

And actually, while reflecting on it to write this review, I realize just how twisted and complicated the entire story is. If there is ever a book that could be described as an “intricate web of connections and half-truths,” this is the one.

As I am going down this thought path now, even more connections and questions are popping up in my mind. I rarely go back and read a book a second time these days; there are too many good books and not enough time.

But now I’m thinking I may need to with this one because I’m pretty sure that I missed a lot of subtlety in the events.

I guess that is the sign of a great book, right? One that keeps you thinking and wondering what you missed? But you should read this psychological thriller for yourself and see what you think.

Other psychological thrillers by this author:

• The Wife’s House
• The Newlyweds

Author Bio

Arianne Richmonde is a half British, half American, USA TODAY bestselling author, who lives in France with her husband and four-legged family. Surrounded by vineyards and sunflower fields in an old stone farmhouse they restored, she fills her days creating twisty novels full of suspense and intrigue. When she isn’t writing she loves to travel, especially to warm, exotic countries, all in the name of research. She used to be an actress so likes nothing more than to immerse herself in the minds and lives of her characters.

I am of a split opinion on this book. On the one hand, it had good suspense and a twist that I didn’t expect. But on the other, there was a lot of exposition and “thinking” which didn’t make for a lot of action.

Well, it did, but it wasn’t current action. I’ll try to explain.

A lot of psych thrillers have “Now” and “Then” chapters. To me, that keeps the action current because the reader clearly knows where they are in time. And if I’m told that I am now reading something as it happened eight years earlier (for example) I can put myself in that point in time.

In this book, however, pretty much everything that occurs in the past is recounted in characters as they remember it. And while there is action in the memories, it doesn’t feel as exciting as if I was put right in the middle of it.

And I recognize that this is totally a personal preference of mine. I’m just trying to explain it (and probably not doing a good job of that). I just felt that as a reader, I was in the characters’ heads too much. But other people may like that method of storytelling.

The plot itself was a good one. We know that Beverly has secrets and that Riley is a pretty typical eight-year-old. I did think that Beverly went a little too heavy on her worries, but once everything became clear, I could see why she did that.

The story is told from different points of view – mostly Beverly and Riley – but with a mystery person interspersed. Roughly halfway through, the mystery person is revealed and then the action moves more to the current time.

I did partially guess the big reveal fairly early on, but the author had a couple of twists that I didn’t expect or guess, so I really enjoyed those surprises. There were enough red herrings to also keep a few guesses suspended until the truth was revealed. And the epilogue wrapped everything up nice and neat – almost too much so.

But again, that is a matter of personal preference. I get the juxtaposition of the scenes at the end, so I am pretty sure that I understand why the author wrote them that way.

If you don’t mind character flashbacks that are more mental than actual action, this is the book for you. Even if you’re like me and prefer more “in the moment” action, I would still recommend it for the twists, a heroic neighbor, and a cute dog.

Author Bio:

Nicole Trope went to university to study Law but realised the error of her ways when she did very badly on her first law essay because, as her professor pointed out, ‘It’s not meant to be a story.’

She studied teaching instead and used her holidays to work on her writing career and complete a Masters’ degree. In between raising three children, working for her husband and renovating houses, she has published six novels. She lives in Sydney, Australia.

If you are looking for a book that has secrets and twists, off-the-wall crazy characters, a dash of “what-did-I-just-read,” and a stinging commentary on social media, this is the one for you.

Seriously, I am struggling with how to describe this book because it was all of what I just said and more, but it wasn’t gonzo or ridiculous.

It was just a really, really good story! It wasn’t static, it morphed as it went, growing organically until the breathtaking climax. And before I get into the rest, can I just say that the pivotal scene was one of the most cinematic I have ever read?

Anyway, as usual, I don’t want to give away any plot points, which is going to be tough in this review.

I thought the author did a fantastic job of creating both Abbie and Rachel. It was obvious from the beginning that they both had something to hide, but the true extent of those secrets took a long time to be revealed. And even when there were hints, they didn’t give away the full nature of the deceit.

Each was meant to be sympathetic in their own way. And as truths were revealed, I found myself wondering whether or not I still felt sorry for them or if they deserved what was happening.

It’s a talented author who can make me care about characters enough to give them deeper thought and connect to my own feelings about them.

I found myself predisposed to dislike Rachel, but I recognize that was due to my distaste for social media influencers. I don’t want to say too much, but she really personifies the whole scam of Insta-celebrities.

(BTW, pay attention to the Instagram posts that are interspersed with the chapters. That is all.)

I’m sure that was by design because the character was too well-established for the author to not mean for that connection to be made.

As for Abbie, she was a bit of a sphinx. I think she truly believed in what she was doing and could always justify her actions. But her reactions to certain events showed that she was as in control of herself as Rachel was – and that didn’t make for a good combination.

There were a few subplots that I wasn’t too sure about at first, but later in the book, it became apparent as to why they were necessary. The same goes for a few facts about Fran and Rachel’s friendship. I get it, but they didn’t necessarily fit into the bigger scheme.

Unless, of course, they were meant to be as off-the-wall as where it all ended up.

Honestly, I could prattle on. Let’s just leave it at this is one of my favorite psych thrillers of the year. Oh, and Annie Wilkes has nothing on the characters in this book.

Go. Read it now.

Author Bio:
Julia started off as a theatre director and playwright. While her children were growing up, she swerved into graphic design. After writing and illustrating two children’s books for an MA, she discovered that her great love was writing prose. The picture books were deemed too dark for publication, so, to save the children, she turned instead to writing for adults. Her first book, Cuckoo, was published in 2011, and she has been writing what she calls her Domestic Noir novels ever since. She also writes for TV and teaches on the Crime Writing MA at the University of East Anglia. She has three grown up children and lives in Brighton with her husband and two cats, Keith and Sandra.

This book was twisted in so many ways, I am not sure how to even start unraveling it. But I’m going to try.

On the surface, it’s the story about a family coping with the possibility of a life-changing illness in their child. It’s also the story of grudges, betrayals (imagined and real), and family history…in short, lots of issues. And it’s a clear commentary on the danger of assumptions.

That’s a lot to unpack in a psychological thriller. And because it is so much, there were some parts that were more successful than others.

The medical plot thread made sense, and it was a good basis for the tensions between Kay and Matt. When faced with situations like that, it’s easy to become vulnerable to all sorts of worries and internal questions. That was certainly the case with them.

I also liked the thread with Olivia. I had an idea early on where that one would go, but the author did a good job of giving just enough information, dropping hints here and there, to keep it interesting until it took a bigger focus in the story.

I thought that Kay was a victim throughout most of the story. She was worried for her child, aware of something (or somebody) manipulating the varying situations, but also at a loss to see the bigger picture because she was too caught up in drama.

And that leads us to Matt.

He was actually the perpetrator of a lot of the drama, and frankly, he got on my nerves. I didn’t think he was a nice person (even though Kay kept telling us that he was), he obviously held grudges (again, real or imagined) and he flew off the handle way too easily.

He also let his inner demons take control of things, didn’t see reason, was way too over-reactive…just really unlikeable.

I understand that there was a reason for him being that way, and that the family history plays a big part (going back to when he and his brother Jason were kids), but it just seemed to be too much. Especially when he expected Kay to listen to and believe him but didn’t give her the same consideration.

There are also times that the language felt repetitive. For example, there was one section where everyone was feeling poorly (I think it was repeated at least five or six times). There weren’t many instances, but this writer’s language is usually quite sharp, so it stood out to me.

The entire plot is intricate, and I was never quite sure where the author was going with who knew who, what the real story was, and (most importantly) who was the liar and who was the liar’s child. I had my suspicions about all of it – some were right, some were not quite accurate.

If an author can keep me guessing up until the reveal and surprise me in the process, that’s a winner in my book. And this story did exactly that.  

Author Bio:
Sheryl Browne writes psychological thriller and edgy contemporary fiction. A member of the Crime Writers’ Association, Romantic Novelists’ Association and awarded a Red Ribbon by The Wishing Shelf Book Awards, Sheryl has several books published and two short stories in Birmingham City University anthologies, where she completed her MA in Creative Writing.