If you’re like me, you enjoy different genres of books. But I have recently found that even within a genre, there can be different approaches. I know that seems obvious but bear with me for a minute.
Take historical fiction, for example, and let’s use WWII. There are some books that set the action smack dab in the middle of the war, and others that use a dual storyline of modern day to historical, tying threads together. Of course, there are multiple approaches, but those are two of the most common that I have come across.
Then there are books like Into the Burning Dawn, that use the war more as a backdrop. Now, I know there’s more to this book than that, but I found the perspective of an English nanny in Naples pre-WWII during the rise of Mussolini (and further into the war) to be fascinating and informative.
It was apparent that the author already had a background in this era or had completed copious amounts of research, because the details of the region were plentiful and well-described. In the early pages, I could practically smell the lavender and garlic as well as the sea air.
Actually, the amazing descriptions continued, but later on it became petrol burning, smoke, and dust. That’s how talented this author was when it came to creating full scenes.
In the beginning, I also got a definite “Sound of Music” vibe, with the young nanny brought up in a convent, seeing to the kids of a stern, older landowner. There were more parallels as well. Imogene’s war with herself over who and how to love, her care for children even at the peril of her own life, and her desire to do the right thing all felt very “Maria-ish.” That’s not a bad thing.
I found the juxtaposition between the two brothers to be interesting as well. Fabrizio was the dashing, dangerous cad, while Giancarlo was the level-headed leader of business. I do think Imogene was blinded by “bad boy” vibe of Fabrizio (which is logical, given her upbringing). (There was a touch of Captain Von Trapp in Giancarlo as well).
I did find Imogene to be inconsistent at times. In the early days of the war, when people referred to the British soldiers, planes, and ships as “her Army/Navy/etc.” she made a distinct point of correcting them and saying that they weren’t “hers.” But at the same time, she thought of them as hers.
I suppose that would be logical confusion given the climate and culture, but it made her seem a bit weak-minded. Which is actually interesting, because I think she saw herself the same way a lot of the time. But she still managed to persevere and survive. And it wasn’t at all easy for her at any point.
Out of all of the secondary characters, I especially liked Annabella. She was down to earth, but also practical and realistic about situations. There were times when it seemed like she was Imogene’s conscience.
I’m not going to tell you how everything turns out, because that would ruin the story for you. Suffice to say that the author continues her realistic portrayal of war and the path of havoc it wreaks all the way until the last pages.
For an epic story of family and loyalties and accurate retellings of wartime, look no further than this one – you’ll be engrossed from beginning to end.
FACEBOOK: NatalieMegEvans
Author Bio:
Natalie is a RITA nominated, USA Today Bestselling author of six novels: The Dress Thief, The Milliner’s Secret (re-titled “The Girl who Dreamed of Paris”), The Wardrobe Mistress, Summer in the Vineyards, The Secret Vow and most recently, The Paris Girl. Look out for a heartwrenching WW2 inspired novel set in Italy, due out Autumn 2020.
Visit her website at https://www.nataliemegevans.uk
Natalie Meg Evans has had a varied career, first as an actor in London’s fringe theatre, then as a PR exec and company director and finally, dream achieved, as a full-time writer. She lives with two very lively dogs in rural mid Suffolk.
Natalie has collected numerous awards for her writing including the UK’s Harry Bowling Prize (2012). The Dress Thief was nominated for a coveted RITA Award by Romance Writers of America and it won the Greek Public Book award for the best foreign novel; also, the UK’s Festival of Romance readers award (where readers rather than industry professionals select and judge). The Milliner’s Secret was shortlisted for the same award.
Natalie was also nominated for the coveted Daphne du Maurier award and was named a finalist for a Romance Writers of America Golden Heart award.
Natalie’s titles are available as Spoken Word. She loves to hear from readers.
