Tag: Historical Fiction

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The Day Lincoln Lost by Charles Rosenberg – Blog Tour (Review)

I started this book with a completely different expectation from what I ended up getting and I am totally okay with that. This could not have been a timelier, or more fascinating, read.

Set against the backdrop of the run-up to the pivotal 1860 election, the author tackles just about every topic at issue. From slavery and abolition to the scorn of media against certain politicians, all is covered with accurate and informative detail.

I particularly liked the way the author mixed real historical figures with his fictional characters. I have studied the Civil War at great length and am familiar with several of the names mentioned in this book.

But the author wrote his fictional characters so vividly, that I found myself Googling just about every one of them to find out if the person was imaginary or was real and I just hadn’t heard of them. It made the book almost interactive, which I really enjoyed.

(Yes, I realize I could have just read the end notes, but where is the fun in that?)

I also liked how the author used an escaped slave girl to set the scene and allowed the characters’ positions to be clear through their actions instead of just through exposition. I think that this helped the story come more to life.

What I didn’t like, and I’m not exactly sure of why the author chose this path, was to change something that seems rather insignificant in the bigger picture. It has to do with the election itself, and that’s all I am going to say in terms of the overall plot.

What occurred to me, however, is that the author might have been using one of the most contentious elections in American History as a commentary for our current election. I’m not sure if that was intentional or not, but to me there were clear parallels that could have been drawn.

I found myself saying, “well that sounds familiar” more than a few times. This was especially true when it came to Buchanan’s attitudes (and those of the people surrounding him) towards Lincoln. The similarities to the past few years of history were too great to ignore.

I think that when it comes to alternate history, it’s important to go big and show how different history could have been. I didn’t get that with this one. But I still enjoyed it because of the characters and the closer look at another time that our country was in crisis.

About the Author:

Social Links:
Author website: https://www.charlesrosenbergauthor.com/
Facebook: https://www.facebook.com/CharlesRosenbergAuthor/
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Charles Rosenberg is the author of the legal thriller Death on a High Floor and its sequels. The credited legal consultant to the TV shows LA Law, Boston Legal, The Practice, and The Paper Chase, he was also one of two on-air legal analysts for E! Television’s coverage of the O.J. Simpson criminal and civil trials. He teaches as an adjunct law professor at Loyola Law School and has also taught at UCLA, Pepperdine and Southwestern law schools. He practices law in the Los Angeles area.

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Paris Never Leaves You by Ellen Feldman – Blog Tour (Review)

I thought that the setting for this book was interesting, and the main character was intriguing. This book also had one of the more unique perspectives that I have ever read in historical fiction.

I liked how it was set in the early 50s, because it allowed for the characters to have feelings and opinions that would be more reflective of just coming out of the war. Setting it in the 60s, for example, would have given a completely different dimension to the characters’ outlook.

I also liked how an NYC publishing house was central to the plot. It made sense for Charlotte’s character, as she was extremely literary. Given her father’s background (and her experiences in WWII Paris) this made sense.

I thought Vivi was also an interesting character, and the author did a good job capturing the questions a young teen girl would have, as well as the impetuous nature of teenagers. I liked her scenes as she was trying to figure out her heritage.

That was one of the interesting twists to this story – the whole question of whether Vivi and Charlotte are Jewish or not is an underlying theme both in Paris and in New York City. It certainly raised some interesting aspects to Charlotte’s actions.

All of that being said, I did feel that it was uneven in some places. Transitions were especially awkward. There were times that Charlotte was clearly in NYC, but all of a sudden was back in Paris. I realize that this could be due to formatting, as I read an ARC on my Kindle, and perhaps these transitions are smoothed out. But there were times I had to re-read a passage just to confirm where the action was occurring.

I also felt that there were some contrived plot points that didn’t entirely fit in the story. I don’t want to give anything away, but there were events and conversations that seemed as if the author thought of them and needed to put them in, rather than having anything to really do with the plot itself.

Overall, I thought there were some interesting points, and the author addressed the issues in post-occupation Paris with clarity and understanding. That’s something that is often overlooked.

Oh, and a special shout out for mentioning the Betsy-Tacy books. That’s still my all-time favorite series in the world, and I loved that it was in this book. For a literary person like Charlotte, I think this means the series is held in high esteem. As it should be.

Author Bio

ELLEN FELDMAN, a 2009 Guggenheim fellow, is the author of Terrible Virtue, The Unwitting, Next to Love, Scottsboro (shortlisted for the Orange Prize), The Boy Who Loved Anne Frank (translated into nine languages), and Lucy. Her novel Terrible Virtue was optioned by Black Bicycle for a feature film.

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The Girls of Victory Street by Pam Howes: Books On Tour Blog Tour

World War II serves as a backdrop for this novel, which is ultimately a study about resilience and how life carries on even as it seems to be falling apart. Heartfelt and honest, it was a quick and thoughtful read.

I liked how the author started the story before the beginning of the war. It allowed the reader to get a feel for the town and the characters. The underlying knowledge that things were going to change added tension.

Not that there was more needed. Bella and her family face quite a few challenges, war or no war. I did feel like one particular moment early on was glossed over rather quickly. I would have expected it to have more impact and taken up more space in the plot.

I think because it happened so early, I hadn’t had the chance to get a good understanding of the character. That resulted in the event almost feeling more contrived that it should have been.

Amazon: https://bit.ly/2WC2BnY

I really enjoyed Bella’s “professional” trajectory. I’m a big fan of the Andrews Sisters, so I imagined them quite often throughout the book. That brought back some happy memories of learning about their music (and the era) when I was younger.

While I love historical fiction, especially WWII, I also liked that the war served more as a backdrop rather than a main plot point. It was a reminder that people still had everyday worries with the war piled on top.

I thought the message of music as a relief from the personal strains of life was also a good one. The importance of finding something that makes you happy, regardless of what else is going on, should never be underestimated.

Oh, and just a nitpicky thing about the blurb: accurate events, not in the same order as the plot.

Author Bio
Pam is a retired interior designer, mum to three daughters, grandma to seven assorted grandchildren and roadie to her musician partner.

The inspiration for Pam’s first novel came from her teenage years, working in a record store, and hanging around with musicians who frequented the business. The first novel evolved into a series about a fictional band The Raiders. She is a fan of sixties music and it’s this love that compelled her to begin writing. 

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Books On Tour (Review): The Ringmaster’s Daughter by Carly Schabowski

I started this book expecting one thing and I was pleasantly surprised with what I took away from it.

A lot of historical fiction set in World War II is set in the midst of the war. This book was unique because it starts before the Germans invade and occupy Paris. Right there I knew I was in for something different. The opening scenes of Michel trying to leave Paris were harrowing, and perfectly captured the panic and urgency of the situation.

I found Michel to be a complicated lead character. On the one hand, he seemed like a drifter and someone who had no particular attributes that made a reader want to root for him. I couldn’t quite get a grasp on who he really was. I think perhaps that was purposeful because it allowed him to fit in with the group he ended up with ultimately.

That group is the reason this book is good. The main thrust of the plot is the woebegone circus trying to find places to perform in the face of impending war. The juxtaposition of the horrors of war and the magic of a circus is clever and made the emotions around each much stronger. For each bit of news or encounter with the Nazis, I wanted the joy of the circus to hang on a little bit longer.

Amazon: https://bit.ly/3eMifEf Apple: https://apple.co/34mzW9h
Kobo: https://bit.ly/2RmjnoF Google: https://bit.ly/38oTs77

Not that the circus doesn’t have its problems, but it’s up to the reader to find out what those are (I am definitely not going to give away plot points here). I will say that I suspected a major one and was not surprised by it. But I loved reading about the backgrounds of the various circus performers and felt that they really came alive from the pages.

I did think that there was a big but slow build up, as most of the book covers just over a year or so. But then the last 10% of the book covers years and we get the wrap-up of all of the characters briefly and almost as an afterthought, not to mention the end of Michel’s story is very abrupt. I felt like there had been so much invested in these characters’ stories that they deserved a better ending.

My only other complaint is that the title gives away a major plot point (well, two, kind of). I couldn’t get behind Michel’s worries as he joined the circus because of the title. That was a shame, because his concern did add to the tension of the plot. But it ultimately meant nothing to me because I knew the truth.

It was magically lyrical at times and was a nice departure from the usual historical fiction settings. I would recommend this book.  

Author Bio
Carly Schabowski worked as a journalist in both North Cyprus and Australia before returning to Oxford, where she studied for an MA and then a PhD in creative writing at Oxford Brookes University. Carly now teaches at Oxford Brookes University as an associate lecturer in Creative Writing for first and second-year English literature students. 

Twitter:  @carlyschab11
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Blog Tour (Review): The Black Swan of Paris

I’ll be honest:  this book had me at the theater. I always like finding unique settings in historical fiction novels, and this one certainly qualifies.

I loved how the author set everything up. The connections between characters were tenuous and not easily discernable, adding a bit of mystery. The backstory unfolds slowly, which adds to the tension that is already felt through the setting.

I think that there must have been copious amounts of research because the author captured the essence of theater. Having been in theater myself, I could picture the costumes and stage area, and I could practically smell the aroma that all backstage areas seem to share. Sweat, makeup, perfume, and grease (among others) all combine into a scent that is uniquely “theater.”

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Not only was the general theatrical atmosphere accurate, but the author also managed to balance the ominous presence of the Nazis against the magic of the theater. It was an interesting juxtaposition that gave those scenes depth.

As to the plot itself, has everything a good read should have. There’s intrigue, espionage, romance, and…oh yeah, don’t forget the Nazis. A stunning singer with a hidden past and her dashing manager (who is not what he seems) are the stars, but the secondary characters have just as much depth. And everyone has secrets.

I did think that the plot sagged a bit after the initial introductions and set-up. There were still important points, but the drive forward slowed. Fortunately, it sped up quickly, and the last third of the book was nonstop action. I’m not going to spoil the plot, but let’s just say that it was all very movie-worthy.

Ultimately, I really enjoyed this book and appreciated the author’s attention to detail. She really created theatrical Paris in the last stages of the Nazi occupation, and made me care what happened to the characters.

AUTHOR BIO

Karen Robards is the New York Times, USA TODAY and Publishers Weekly bestselling author of more than fifty novels and one novella. She is the winner of six Silver Pen awards and numerous other awards.

Author Website: http://karenrobards.com/
TWITTER: @TheKarenRobards
FB: @AuthorKarenRobards

Thanks for stopping by for the second entry in the HTP 2020 Summer Reads Blog Tour for Historical Fiction. Check back in later this month for The Woman Before Wallis.

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What Only We Know by Catherine Hokin

Captivating. Compelling. Creative. Crushing.

Truly unforgettable.

This one will stay with me for a very long time.

I know that it is sort of backward to say that at the beginning of the review, but I can’t begin to explain how impactful this book was. The author has woven an incredible story that covers not one but two significant historical periods, and it is told with compassion and a deep understanding of humanity.

Amazon: https://bit.ly/3e1ofIy Apple: https://apple.co/3e28r8h
Kobo: https://bit.ly/2zWwXZK Google: https://bit.ly/36f8RWt

Right from the start in the prologue, set in 1971, it is apparent that there is a detailed story to be told. We then jump to Berlin, 1936. Anyone who knows even a little bit about history knows why this year is important, especially as it relates to WWII. The setting for Leise and Michael to have their first notable argument was also appropriate because it clearly outlined their perspectives.

I loved the unique setting of the fashion house, or salon, for the first part of the book. By utilizing a very international business, the author was able to highlight just how far-reaching the sanctions in Germany became, and how quickly they changed. I particularly liked the details, such as Paul urging Leise to identify the scents in the air. It was a moment of joy and beauty that belied the horrors growing in the city.

Once we meet Karen in the more contemporary timeline of 1971, the reader can start to draw some connections. However, the author does an admirable job of building Karen’s identity. I don’t want to give away plot points, but her experiences as an 11-year-old shape her reactions all the way to the very last pages.

It is difficult to put into words how well the author weaves both the WWII storyline and the 1970s storyline together. Suffice to say that in other books with dual storylines, I often find myself wanting to get back to one or the other. In this book, I was equally eager for both, especially later, when Karen was older.

Side note: her first entry into Berlin brought back strong memories. My parents and I went to Germany in 1983, and our experience going through Checkpoint Charlie was very similar to Karen’s. We were on a tour bus with a class of high school students, and their teachers had to reprimand them, reminding them of the rules for when the soldiers came on to check passports. It is a trip I will never forget, and Karen’s experience brought it all back.

But now, back to the review. By the time Kristallnacht occurs, Liese’s life turns upside down, inside out, and sideways. She is a formidable character, even as a teenager. I think that is what makes her character arc so compelling because, through her, we see how very simple it was for the Nazis to break even the strongest of people.

I appreciated that the author didn’t feel the need to wrap up people’s stories. Sometimes they just…disappeared. It was another stark reminder of how life was at that time. People came and went, and some were never to be seen again.

I’m starting to ramble now, and I’m not even halfway through the book! I will leave it that Liese’s life goes from bad to worse, and her actions suddenly become much more understandable. Karen also “grows up” when she finally realizes the truth of her mother’s story.

And that whole truth is about as gut-wrenching as anything I have ever read.

The reveal and reconciliation take place in the shadow of the Berlin Wall and stretches into 1989. Again, if you know anything about history, you see the significance. And this section of reconciliation was almost as powerful and moving as Liese’s story from WWII.

It’s a tremendous balancing act that the author accomplishes with aplomb. Straight to the top of my list for this year. I cannot recommend it highly enough.

Author Bio
Catherine Hokin is a Glasgow-based author writing both long and short fiction. Her short stories have been placed in competition (including first prize in the 2019 Fiction 500 Short Story Competition) and published by iScot, Writers Forum and Myslexia. She blogs on the 22nd of each month as part of The History Girls collective. 

Website: https://www.catherinehokin.com/
Facebook: https://www.facebook.com/cathokin/?ref=aymt_homepage_panel
Twitter: https://twitter.com/cathokin
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Books On Tour (Review): Her Darkest Hour by Sharon Maas

I’ve mentioned several times that I enjoy historical novels for a few reasons. One, I’m just a big history buff; and two, I like learning new things. Even if I know the overall theme, there’s usually some nugget of previously unknown information to be found.

Amazon: https://bit.ly/2X1lW1l Apple Books: https://apple.co/35ZGKdA
Kobo: https://bit.ly/2zEYnU5 Google Play: https://bit.ly/361JE1q

In the case of Her Darkest Hour, I knew that the Germans had invaded France and had taken control of most regions, but I did not remember (based on previous studies) the extent to which they turned everything German. And I did not know that they actually built a camp in France. That was very revealing and educational (and I love that).

As to the plot in general, it was somewhat unique among many WWII historical fiction novels in that there was one time period; there wasn’t a contemporary and flashback. That made it easier to follow each of the girls’ stories.

I liked that the families in question were established wine-makers. Their standing in the town made the decisions of the individual members more intriguing. I was a little confused by the family relations at the beginning, but I got them straightened out. I felt a little better about that later in the book when I found out just why everything seemed confusing.

I thought the author did a pretty good job of embodying the spirits of the French people during the Occupation by giving each of the girls (Juliette, Victoire, and Marie-Claire) different perspectives and attitudes. I do wish there had been more of Juliette; I thought that the novel would be more between the three girls. But her story just sort of disappeared for quite a while.

There was certainly plenty else to focus on, and I found Marie-Claire’s story to be indicative of what many women had to deal with when it came to the Germans who took over. I thought that Jacques’ evaluation of her to be accurate, as she never quite reached her potential and made some poor choices that seemed to be based on trying to make herself feel better. She did not seem to be very deep and ended up reaping what she had sown. I can’t say I’m too sorry about that, honestly.

I did think that the build-up took up most of the book, and then a LOT of events happened in the last quarter of the story. Characters came and went, secrets were revealed, and time sped up. Once the story reached early 1942, events went by at rocket speed, with some only receiving a quick mention.

I understand the importance of laying the background, but I wish that it had been a bit more balanced. The events at the end were quite exciting, as were the actions of the girls, and I would have liked more detail of those.  I also felt that a few of the stories were left unfinished or up in the air. It was almost like the author had to wrap it up quickly.

But that didn’t detract from what I learned about the depth of German infiltration into French society (Mein Kampf and German names?!?). It also confirmed that their brand of tyranny and power should never again be allowed to see the light of day.

Post Script: I wasn’t going to add this, but I strongly feel that it needs to be mentioned. It concerns the scene where the Nazis arrived at the chateau and informed Margaux that her livestock, property, and anything she produced belonged to the state. I read that section late at night.

The next morning I woke up to a headline in the news. A legislator in Illinois had proposed legislation that would give the governor the power to confiscate livestock, food, property, clothing, etc. For no other reason except for that he could do so.

I cried.

It was a stark reminder that this type of history should NEVER be repeated. No. Matter. What.

Author Bio
Sharon Maas was born in Georgetown, Guyana, in 1951 and educated in Guyana and England. After leaving school she worked as a staff journalist at the Guyana Graphic and the Sunday Chronicle in Georgetown.

Sharon has always had a great sense of adventure and curiosity about the world we live in, and Guyana could not hold her for long. In 1971 she set off on a year-long backpacking trip around South America. In 1973 she travelled overland to India through Europe, Turkey, Iran, Afghanistan and Pakistan, and spent two years in an Ashram in South India. 

Website: https://www.sharonmaas.com/
Twitter: https://twitter.com/sharon_maas  
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Books On Tour (Review): Into the Darkest Day by Kate Hewitt

Epic in every sense of the word, this book is one of the finest examples of historical fiction I have read. There is so much that I liked about it that I don’t know if I can cover it all, but I’ll try.

Amazon: https://bit.ly/2YFDimH Apple Books: https://apple.co/2zmZh7h Kobo: https://bit.ly/3fs2qn1 Google Play: https://bit.ly/2W8DNnM

One thing I noticed right from the start was the attention to detail in both the contemporary and historical storylines. It is always easiest to picture something familiar, so getting an image of Abby’s apple orchard and the farmhouse was simple to imagine. The author was so descriptive with the WWII scenes that I could picture them almost as completely.

The author hits the other senses with her descriptions as well. From the pigeon coops to events during the war, I felt like I could smell and hear what the characters were; that’s how good they were. It must be said that with that depth of detail also comes the emotion that goes along with it, and I felt gut-punched by a few of them (no spoilers).

I liked how the story started out being about one thing but then took off a different direction. This felt realistic and added to the intrigue of the WWII portion of the plot. I did think that a few of the contemporary plot points were extraneous, but I understand how the conflicts were needed to give more depth to Abby and Simon. I think it was because the WWII sections were so compelling, I just wanted to get back to them.

I also liked how some of the questions propelling the plot were not answered until close to the end. That was effective because 1) it kept me reading to find out the resolution, and 2) the author was able to take the story in different directions to get to the final point (instead of just reaching it directly).

A word must be said about the history. I have often mentioned that I like historical fiction because I usually learn something new. This time I learned several things via Matthew’s experiences (again, no spoilers). His arc led me to a fascinating documentary, and also served as a reminder that even after D-Day, there was still a lot of war left to fight.

The author has spun a masterful story. If you are a fan of historical fiction, you definitely should have this on your TBR list.

Author Bio

Kate Hewitt is the author of many romance and women’s fiction novels. A former New Yorker and now an American ex-pat, she lives in a small town on the Welsh border with her husband, five children, and their overly affectionate Golden Retriever. Whatever the genre, she enjoys telling stories that tackle real issues and touch people’s lives. 

Website: https://www.kate-hewitt.com/
Facebook: https://www.facebook.com/KateHewittAuthor/ 
Goodreads: https://www.goodreads.com/author/show/1269244.Kate_Hewitt
Twitter: https://twitter.com/katehewitt1  
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Books on Tour (Review): The Island Girls by Noelle Harrison

Even after reading the blurb, I wasn’t sure what to expect from this book. What I got was an in-depth exploration of family loyalty, sisterly bonds, and the different ways responsibility manifests itself. This book drew me in and kept me turning pages late into the night to find out how everything worked out.

I loved the through-line of sisterhood. Not only do we see the bonds between Katie and Susannah, Emer and Orla, and even Rebecca and Lynsey to an extent. I thought the author did an excellent job drawing parallels that were subtle but packed an emotional punch.

The story unfolds in alternating chapters between Emer’s life in 2011 and Susannah’s in the late 50s/early 60s, and the transitions were seamless. The story is such that there is no jolt between the time changes.

I thought that Emer was an interesting character. She was obviously seeking redemption for what she saw as a slight to her own sister, but she learned through Susannah’s history that there could be so much worse out there. I don’t know that she had that big revelation, but she definitely learned that lesson. And I thought that the moment when it all crystalized (when Susannah went looking for her) was poignant and powerful.

I did feel, however, that the romance between Emer and Lars was sometimes weak; it could have used a little bit more depth, as it was the only part (to me) that felt a little contrived. I think that is primarily because everything else that we learn, through letters and recollections, is so real.

I don’t mind saying that by the end of the book, I was in tears. The bravery that comes from getting through a loved one’s death is one thing. Sacrificing one’s entire life because of guilt (or a sense of duty or a sense of shame) is an entirely different animal. It is ultimately up to the reader to decide which one Susannah operates under as she makes her choices.

 Overall, I think the author managed to capture the mentalities of both small town “Island” inhabitants and those who wish to overcome that mentality (personified by Katie and Susannah’s opposing views on the matter). Ultimately, the realization that each of them comes to is that what is “right” doesn’t necessarily mean that it is right forever. And there are always options, even when it seems as if there aren’t.

It is a novel full of impactful insight that I will be thinking about for a long time.

Author Bio

Noelle Harrison is the Irish author of nine novels and five plays and has been translated into over 13 different languages. Her short stories have been published in Lines of Vision, Irish Writing on Irish Art, & Gutter Magazine of New Scottish Writing. In 2016, Noelle co-founded Aurora Writers’ Retreats building on 20 years’ experience of teaching creative writing in Ireland, Scotland, Norway and England.

Amazon: https://bit.ly/2VAKYDH
Apple Books: https://apple.co/2KbNElX
Kobo: https://bit.ly/34LhOFW
Google Play: https://bit.ly/3ctnpmW
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Books On Tour (Review): In Darkness Look For Stars by Clara Benson

It’s been a while since I read a historical fiction novel, so I was pleased to see that this one was next up on my list. There was a lot to like about it, and I very much enjoyed it from start to finish.

Amazon: https://bit.ly/3cfvKe3
Apple Books: https://apple.co/3bckT4k
Kobo: https://bit.ly/34COWQ8
Google Play: https://bit.ly/3aa9b9g

Very often, a book has a contemporary plot-line that then dovetails with the historical one in some fashion. One thing I liked about this story is that the “contemporary” line is only 7-8 years after the initial action, which works for two reasons. One is that the characters are primarily involved in both storylines (so obviously the times need to be close).

It also allows for the characters to be still carrying the weight of the war on their shoulders. There hasn’t been time to recover fully from the war itself, not to mention the aftermath. This closeness of storylines makes the switching back and forth more seamless than some others that have a more distant time difference.

I thought the characters were also well-crafted. Each one of them was flawed and trying to find their way in their new situations. Ambition, guilt, betrayal, family loyalty, and even love play significant parts in each of the character’s journeys. Harriet was the anchor for all of it, even as she struggled to find her footing in her new life.

Sebastien was the only character I had a difficult time pinning down. On the one hand, he was a temperamental teenager who had experienced significant personal tragedies. On the other, it seemed as if there was something off with him even as a young child. There is an allusion to a schoolmaster and his pupils that is briefly mentioned and then never addressed again. It makes me wonder if that was to be a reason for Sebastien’s temperament.

I did like Cecilia’s journey. She was the embodiment of how guilt could destroy a person from the inside. Even though she made her choices and had to live with them, I found her story to be satisfying and was glad the author gave her the arc that she did.  I especially liked the connections of music as colors; that is something that has always fascinated me, and I was interested in Cecilia and Emil’s descriptions.

Ultimately, this is an epic story spanning roughly a decade that showcases how ambition and desire can drive people to fatal decisions, and how families don’t always do best by each other. It was a great read, and I would highly recommend it.

Find her at clarabenson.com
Facebook at ClaraBensonBooks
Twitter:  @ClaraBooks

AUTHOR BIO

Clara Benson is the author of traditional English whodunits and other historical fiction. Over the years she’s lived in London, Milan and Florence, and can still speak a bit of Italian if pressed. Now she lives with her family in the north of England, where she spends her days writing and trying to ignore an ever-lengthening to-do list.

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