Right from the start, I felt like I was reading a movie.
Let me explain.
I’m a big fan of the screwball comedies of the early talkies. “It Happened One Night” with Clark Gable and Claudette Colbert is one of my favorites.
As soon as I started reading this book, I felt like I was dropped right into the middle of one of those. From the character and clothing descriptions to the dialogue, it all was true to the time. In a strange way, there were also times that I was reminded of Downton Abbey (another favorite).
Honestly, this book had everything that makes a cozy mystery so much fun. The colorful characters, the rich detail, and (of course) the murder and ensuing investigation all made for a delightfully light and breezy read.
I liked Lady Eleanor as the sleuth because she was feisty but shrewd at times. I also really enjoyed Clifford. He was a butler, but so much more. In some ways, it felt like he was the Watson to Eleanor’s Sherlock. I’m not going to give away the plot of the mystery, but it’s a good (and fitting) one.
I mentioned detail, and I think this where the author really succeeded. From the descriptions of the fabrics and settings to the names of the characters, there was no part of the book that didn’t fit perfectly in the time period.
I think that’s what I liked most. The world created by the author enabled me to escape and enjoy a mystery romp in the 20s.
In times like these, that kind of talent is invaluable. I can’t wait to visit with Lady Eleanor on her next venture.
Author Bio: Verity Bright is the pseudonym for a husband-and-wife writing partnership that has spanned a quarter of a century. Starting out writing high-end travel articles and books, they published everything from self-improvement to humour, before embarking on their first historical mystery. They are the authors of the fabulous Lady Eleanor Swift Mystery series, set in the 1920s.
Quite a busy day here – it’s time for another cover reveal.
Ready!
Wanna know more? Read on…
Stumbling to the ground, he claws at the earth around him, trying to stabilise himself, but his attacker is on him in seconds. As he stares at the lights of the bustling streets on the other side of the park gates, he doesn’t even have time to yell for help before everything goes black.
When the body of wealthy businessman Charles Stott is found dead on Wimbledon Common, covered in bruises just feet away from his luxury home, Detective Dan Lockhart is called to investigate the shocking scene. Examining the sickeningly disfigured body before him, Lockhart knows he’s dealing with a brutal killer and, as he bends down to take a closer look, he notices something on the victim’s neck: a small, crudely drawn symbol in black ink. It seems the murderer has marked his victim, but why? Dan needs to get inside the perpetrator’s mind, so he contacts psychologist Dr Lexi Green.
As the ensuing media circus puts pressure on Dan and Lexi’s investigation, another victim is found and the headlines are quick to report a serial killer is on the loose. The body of a successful lawyer has been discovered in a park with the same purple bruising and hand-drawn symbol on his neck. Dan fears that more victims will follow.
As the case intensifies, Dan uncovers a new lead on his missing wife, Jess, who disappeared eleven years ago. Determined to follow it up, he must choose between tracking down a serial murderer and finding Jess. Can he make the impossible decision before the killer strikes once more?
Fans of Angela Marsons, Rachel Abbott and Cara Hunter will love this thrilling new series from Chris Merritt. From an explosive start to a heart-stopping finale, you will not want to put this book down!
Here’s the link to pre-order!
This book is due to be published on SEPT 11, 2020.
Hello! I’m a British author whose crime thrillers combine psychology, suspense, and characters you care about.
All my novels are set in London, where I live. My first trilogy starred Zac Boateng and Kat Jones, two detectives motivated by family, who tackle organised crime and police corruption. LAST WITNESS, the second Boateng and Jones book, reached #13 in the UK Kindle chart in 2019.
My second series features detective Dan Lockhart – an ex-soldier with a missing wife – and psychologist Dr Lexi Green, an American living in London. These novels are darker, more psychological serial-killer cases, with romantic relationships as a central theme.
I began writing fiction in 2014, after previous careers as a diplomat, based in Iraq and Jerusalem, and later as a psychologist working with victims and perpetrators of crime. I specialised in treating Post-Traumatic Stress Disorder (PTSD), which sparked my interest in telling stories about how people cope when faced with extreme adversity.
Now, I spend most of my time writing novels and drinking coffee while *thinking* about writing novels. When I’m not writing, I love climbing and playing basketball.
You can find out more about my work at www.cjmerritt.co.uk or follow me on Twitter @DrCJMerritt
I started this book expecting one thing and I was pleasantly surprised with what I took away from it.
A lot of historical fiction set in World War II is set in the midst of the war. This book was unique because it starts before the Germans invade and occupy Paris. Right there I knew I was in for something different. The opening scenes of Michel trying to leave Paris were harrowing, and perfectly captured the panic and urgency of the situation.
I found Michel to be a complicated lead character. On the one hand, he seemed like a drifter and someone who had no particular attributes that made a reader want to root for him. I couldn’t quite get a grasp on who he really was. I think perhaps that was purposeful because it allowed him to fit in with the group he ended up with ultimately.
That group is the reason this book is good. The main thrust of the plot is the woebegone circus trying to find places to perform in the face of impending war. The juxtaposition of the horrors of war and the magic of a circus is clever and made the emotions around each much stronger. For each bit of news or encounter with the Nazis, I wanted the joy of the circus to hang on a little bit longer.
Not that the circus doesn’t have its problems, but it’s up to the reader to find out what those are (I am definitely not going to give away plot points here). I will say that I suspected a major one and was not surprised by it. But I loved reading about the backgrounds of the various circus performers and felt that they really came alive from the pages.
I did think that there was a big but slow build up, as most of the book covers just over a year or so. But then the last 10% of the book covers years and we get the wrap-up of all of the characters briefly and almost as an afterthought, not to mention the end of Michel’s story is very abrupt. I felt like there had been so much invested in these characters’ stories that they deserved a better ending.
My only other complaint is that the title gives away a major plot point (well, two, kind of). I couldn’t get behind Michel’s worries as he joined the circus because of the title. That was a shame, because his concern did add to the tension of the plot. But it ultimately meant nothing to me because I knew the truth.
It was magically lyrical at times and was a nice departure from the usual historical fiction settings. I would recommend this book.
Author Bio Carly Schabowski worked as a journalist in both North Cyprus and Australia before returning to Oxford, where she studied for an MA and then a PhD in creative writing at Oxford Brookes University. Carly now teaches at Oxford Brookes University as an associate lecturer in Creative Writing for first and second-year English literature students.
With every new book that comes out in this series, I always wonder how the author is going to top the last one. After the events of the past two, I couldn’t imagine what Natalie would have to face next.
I should really learn NOT to worry about these things. As always, Ms. Wyer has things deftly in hand.
What she has done with this book is not only very smart, but it is effective. With the shocking events of The Blossom Twins and The Secret Admirer, one could see Natalie coming very close to the edge of falling apart (naturally so). Ms. Wyer gives everyone the chance to take a breath and reset as Somebody’s Daughter takes place a year after The Secret Admirer.
It works well because it gives the characters a chance to have advanced in their personal and professional lives. It’s a fantastic way to reboot but keep the same characters on their trajectories. I’m not going to spoil who is in what position or exactly how things have changed. You’ll have to read for yourself!
Natalie and her team have quite the investigation this time. I particularly liked how it started as one thing, but then there was an unexpected event that sent the investigation in a different direction. After a few more twists and turns, it wrapped up quite neatly.
Again, contrary to the past couple of books, the investigation seemed more realistic. I think that was because Natalie was not personally involved. Don’t get me wrong; they’re always good, and the author certainly does her homework. Her forensics and techniques are spot on. But having it NOT be personal to Natalie actually gives the police work a chance to shine. The author conveys the difficulty of an investigation, so it’s nice to see it center stage.
I also like how this book seemed to have a “cinematic” feel to it. The cutaways and interspersed chapters from multiple points of view flowed smoothly. The transitions are never jarring, but this time I could picture the action like I was watching it on television. I love that the world Ms. Wyer creates feels this way.
There is also a message to be learned that is woven into the investigation. This time, the author offers a subtle but searing commentary on the homeless. It’s useful both within the investigation and as a real-life reminder.
Even as the characters are in a “fresh start” position, Ms. Wyer lays the groundwork for where possible conflicts may arise. What does David want to tell Natalie that has to be mentioned in person? There’s obviously more to that story. What does Frances really want? Will Lucy go down the same path as Natalie, putting the job before family? Will Natalie finally back off and enjoy her second chance?
I devoured this book in one sitting (thank goodness for lazy Saturdays and understanding family members). Natalie is back and better than ever, and I can’t wait to see where the future leads her.
Author Bio Winner of The People’s Book Prize Award, Carol Wyer is a best-selling author and stand up comedian who writes feel-good comedies and gripping crime fiction.
A move to the ‘dark side’ in 2017, saw the introduction of popular DI Robyn Carter in LITTLE GIRL LOST, the #2 best-selling book on Amazon, #9 best-selling audiobook on Audible and Top 150 USA Today best-seller.
A second series featuring DI Natalie Ward quickly followed and to date her novels have sold over 750,000 copies and been translated for various overseas markets, including into Norwegian, Italian, Turkish, Hungarian Slovak, Czech and Polish.
Carol has been interviewed on numerous radio shows discussing ”Irritable Male Syndrome’ and ‘Ageing Disgracefully’ and on BBC Breakfast television. She has had articles published in national magazines ‘Woman’s Weekly’ featured in ‘Take A Break’, ‘Choice’, ‘Yours’ and ‘Woman’s Own’ magazines and the Huffington Post.
She currently lives on a windy hill in rural Staffordshire with her husband Mr Grumpy… who is very, very grumpy.
I had really high hopes for this book and the author did a great job of keeping my focus for nearly the entire story. However, the end became a little shaky (not enough to ruin it thought. Read on).
I loved the set up for this book. From the beginning with the mysterious letters and Nell’s decision to investigate her family history, I was drawn in. I wanted to know more about her past, just as she did.
How much did her grandmother influence…well, everything. Does Adam, have an ulterior motive or is he just in the wrong place at the wrong time? And how much influence does Joyce really have?
The author had me guessing throughout nearly the entire book, and I especially liked the touches of gaslighting that occurred throughout the plot. Disrupted backpacks, unlocked and suddenly locked doors, and fences…who is responsible? Who is an ally and who has ulterior motive? There were a few characters I wasn’t sure about the entire time, and I kept waiting for the other shoe to drop. This is where the author really excelled.
I also liked the flashback chapters that gave the reader the backstory on Sarah and her interactions with her husband’s family. These were poignant and informative and gave depth to both her story and (by relation) Nell’s story.
All of that being said, I loved the story right up until just over three-quarters of the way through. At that point, I felt like the author was trying to tie everything up and that there were some leaps of logic. I also felt that the ending was incomplete; sort of like there was a big build up and then the reveal did not live up to that.
I was left with a few questions, even after the book was finished. With that said, however, I still really enjoyed the story. I appreciated Nell’s journey to find her real family history. I would recommend it for that reason alone.
Author Bio:
Lesley attended the Curtis Brown Creative 6 month novel writing course in 2015/6, and in 2017 The Orchid Girls (then On The Edge) was shortlisted for the Lucy Cavendish fiction prize.
Lesley is the author of psychological thrillers and spends her days writing in coffee shops in Kings Cross where she lives and works as a librarian. She loves the atmosphere and eclectic mix of people in the area. Lesley discovered Patricia Highsmith as a teenager and has been hooked on psychological thrillers ever since.
On the surface, this book is about two estranged sisters. When their grandmother, Bertie, passes away, she specifies in her will that to inherit anything, they must reconcile by spending a month at her beach house. The premise itself is interesting, but there is also so much more at stake than initially appears.
I thought that the author did a good job setting the stage for the “reconciliation.” It was apparent from the beginning that although they used to be close, Cassie and Julie had gone completely separate ways for almost 15 years. The reasons for that are revealed slowly, with small hints in the form of inner thoughts and barbed retorts giving the reader clues along the way.
I was very interested in the dynamic between Cassie and Julie. Cassie was very prickly and a huge chip on her shoulder, where Julie was easygoing to the point of being a pushover. Cassie took advantage of that, which made her somewhat unlikeable to me at first. I warmed to her over time, though.
What I found particularly intriguing were the life choices that each of the women had made over the years of estrangement. Julie picked a husband who she felt took care of her (and not much else) in the form of control, something she had missed as a child. While Cassie, on the other hand, had made choices that were more along the lines of Julie’s mother. I thought this was a fascinating juxtaposition that was deeply explored and expertly relayed.
I thought that point that they had the same eyes (also the same as Bertie) was especially telling. Eyes are the windows to the soul. Cassie and Julie were more alike than either of them were willing to admit.
I liked how Bertie had everything planned out, right down to involving Craig. With the memories of both girls, and the opinions of Craig, she came across as the mother that neither girl truly had. She was also someone who I would love to know (especially because of her “New Age-y” vibe).
What made this book truly unique to me, however, was Julie’s narrating the dual princess stories. I could see where that was going from the beginning. I was thrilled that the author used that as part of her character development. It was so illustrative, and I loved it. I was also pleasantly surprised that one character did something that I didn’t expect (no spoilers, but I expected a different choice to be made).
I loved the poignancy, and the story was heartfelt. I loved this book and highly recommend it.
Author Bio Cecilia is an author with a reading addiction — a serious one. She is a lover of wine and all things chocolate, and the proud mother of Babaganoush, an English Bulldog. She is also a recovering lawyer, but asks that you do not hold that against her.
I really enjoyed Has Anyone Seen My Sex Life? the first in what looks like a series from a very talented and astute author. And I liked this one even more. Ms. Bailey has upped her game, and the result is a winner of a book.
In this second book, we follow Emma. She is the second oldest of the Callaghan sisters, so I am sensing a pattern; please let it be so! A compassionate heart surgeon, she is divorced from her cheating bastard of a husband (and that’s treating him nicely). This is her story.
I love how this author builds layers. Characters who seemingly have a small part in the plot sometimes end up sharing a nugget of wisdom that has great impact. A perfect example is little Lewis, one of her patients, who wisely states that Dr. C “fixes hearts.” He has no idea how accurate he is. Oh, and he has quite the adventure as well (great scene, that).
Anybody who has been involved in a divorce will be able to find a character in this book to relate to. Emma moves between anger, self-doubt, and “screw him” seamlessly. The emotional roller coaster is real and accurately portrayed. Maddie, her secretary, is loyal and always looks out for Emma’s best interests.
And then there are the sisters. We already met Meg in the first book. I liked how part of this one overlapped so that there was a common timeline. It tied the books together neatly, instead of them being in a vacuum. Meg doesn’t figure much in this book. Neither does Grace, who makes a cameo with big news that I assume will be part of her story.
We do get healthy doses of Beth and Lucy, the two youngest Callaghans, and boy I cannot WAIT for their stories. Lucy particularly had me laughing out loud several times. While some might see her as mere comic relief (and there is plenty of that, especially when she is Elsa), she is also fiercely loyal to her sisters. She made me think of the yappy little dog who will protect its owner.
One thing I noticed in Meg’s story, and it’s even more pronounced here, is that the author doesn’t hit you over the head with lessons or plot points. She tells a person’s story, and it’s up to the reader to get what they want out of it. I appreciate the craft that goes into that.
Ms. Bailey knows how to set and describe a scene so that it feels like the reader is actually there. From the aforementioned Elsa moments to Beth’s birthday, to a raucous and thoroughly enjoyable trivia competition that left tears rolling down my face, the humanity and the humor are captured perfectly.
I also liked how she didn’t wrap everything up neatly with a bow. While that’s fine for some books, the overlapping timelines from the first and second books illuminate that life is an ongoing story. I assume that we will be able to follow Emma’s progression through the other sisters’ stories.
I hope I’m right about this, because it means that I’ll get three more chances to visit the Callaghan sisters. I look forward to Grace’s because I think I will be able to relate to her. And I really can’t wait for Lucy’s!
Seriously, do yourself a favor and pick up Has Anyone Seen My Sex Life? and then move on to this one so you’re call caught up.
I enjoy when a book gives a glimpse of events yet to come and then backtracks to recount what happened leading up to the event. It creates a sense of foreboding, and actually makes me read a little bit more carefully to see if I can pick up any hints along the way.
The action is told in alternating points of view between Louise and her daughter Katie, as they navigate their usual summer trip to Montauk. The addition of Katie’s best friend, Isa, throws the whole family a little off-kilter, and it quickly becomes apparent that there is a lot bubbling under the surface. I’ll come back to that in a little bit.
I thought that the plot was well thought-out. I especially liked that we got to the “main event” before the book was even half-way finished, because that meant that there was still a lot to unravel. And boy, was there.
After the incident, the author did a good job of following each of the main characters through their grief process. The result, however, was that there were a few areas that were long inner monologues and self-reflection. The action did drag during these periods, but the exploration of how people grieve differently was well-done.
I also thought that those passages went too long, because by the time we get to the next few “events,” they’re essentially wrapped up within a few pages. I would have liked to have read more detail about those and about James and Katie’s memories of the night in question. All of that could have used more time. It also seemed like a few plot points were more for convenience than for actually mattering to the plot itself.
I actually liked Katie the best; I thought her actions and reactions were very natural to a 17-year-old girl with even a bit of wisdom beyond her years. I didn’t particularly like Louise, especially as I read further. At one point, another character calls her daughter, Katie, “sanctimonious.” I think that fit Louise better (it’s obvious who Katie gets it from) because she came across as selfish and not very responsible.
And that’s one of the things that was hidden below the surface. Her judgment on Sarah was difficult to stomach given her own actions. But, in a way this fit the stereotypical Upper East Side persona that Louise was somewhat scornful of; she just seemed to have very little self-awareness.
One thing that did stand out to me were some of the linguistic choices made by the author. Some are nitpicky (the Upper West Side is not a borough, it’s a neighborhood). However, others should have been caught.
No teenager from Manhattan or Long Island would say that they “fancy” something (especially not a teenage boy), high schools don’t have recess, they would say braids (not plaits) and would have cookies with tea or hot chocolate (biscuits are for breakfast or dinner). Those instances were scattered but jarring enough to me to notice that the lingo wasn’t correct.
The author did capture the overall atmosphere of a Montauk summer, and I liked how she tied it to the hope of making things better between the characters. The plot was nicely charted by the seasons. The story was good, the characters were intriguing (if sometimes unlikable) and there were a few “what the heck” moments. It’s a good book to pick up for the summer.
Author Bio
Jennifer Harvey is a Scottish writer now living in The Netherlands. She is the author of three novels. Someone Else’s Daughter will be published on June 18th 2020 with Bookouture. Two more titles will follow in October 2020 and May 2021. Her short stories have been published in numerous literary magazines in the US and the UK, such as Bare Fiction, Litro Online, Carve Magazine, Folio, and The Lonely Crowd.
She has been shortlisted for various short story prizes including the Bristol Prize, the University of Sunderland Short Story Award and the Bridport Prize. Her radio dramas have won prizes and commendations from the BBC World Service. She has been longlisted twice for the Bath Novel Award.
I would be hard-pressed to find a series that makes me feel calmer than this one. There is something about stepping into the world of the Anderson sisters that feels like a comforting hug. I was taken with The Magnolia Sisters, and in re-reading my review, I had to laugh. I didn’t care for May. Ironic, because I loved her as the main character in this book.
To be honest, she had me when she dressed up as Claire from “The Breakfast Club” for Annie’s 80s party. I think my issue with her in the first book was that we honestly didn’t get to see much of her, and what we did, she was pretty negative.
In this installment, with her at the forefront, we finally get to understand why she is so prickly. I’m not going to give it away, but let’s say that she has good reason to have put a shell around herself.
Just like the first book, you know that Tom and May are meant to be together (he’s the Bender to her Claire, and they both have a fondness for British murder mysteries), but their history keeps getting in the way.
Annie meddles (again – I love this girl and hope she gets her own story even though she isn’t an Anderson sister proper) so that Tom and May are forced to both confront their past and figure out their present and future. It’s not an easy road, and all of the pitfalls they face felt natural to the setting and the people.
The author does a fantastic job of capturing small-town life, from the nearly decade-old gossip to the community pulling together for a festival (pretty sure I worked with Miz Greyson at some point). I think that is what makes this series so likable. The people may get obnoxious and meddlesome, but they are ultimately there for each other.
I especially liked how the author started the book like a storyteller was setting the scene. It completely set the tone for me. That was nicely bookended, in not quite the same way, but with a fitting finish to the story.
I can’t wait to get Rose’s story. And I’m mentioning Annie again because by now she is pretty much an adopted Anderson sister. Can we make this happen?
Author Bio Alys Murray is an author who writes for the romantic in all of us. Though she graduated with a degree in Drama from NYU’s Tisch School of the Arts and a Master’s in Film Studies from King’s College London, her irrepressible love of romance led her to a career as an author, and she couldn’t be happier to write these stories! Currently splitting time between her home state of Louisiana and London, she enjoys kissing books, Star Wars, and creating original pie recipes for all of her books. Tobey Maguire is her Spider-Man.
I have to admit; I’m a little bit confused by this one. It started as one type of psychological thriller, then morphed into another about halfway through the book. Both halves were interesting in their own right.
Jenna is the perfect example of “no good deed goes unpunished.” She tries to help a woman in the park, but it backs up on her in a major way, throwing her life into absolute chaos. It doesn’t help that Jenna’s husband has been acting strangely, and her teenage daughter is rebelling against pretty much everything.
There are a few clues early on that there may be more in play than what meets the eye. And that’s where I got a little bit confused. It almost felt like the author tried to do too much to make it twisty. It could have been more straight forward, and it still would have been a great story.
Once the revelations started popping up, they led to more questions for me. I think the biggest one is that it seemed as if Jenna should have recognized the danger. I don’t want to say more than that (no spoilers), but I mean it in the very simplest of terms.
There were also more than a few red herrings; some were good, and some didn’t go anywhere. There were a couple that almost seemed as if they got edited out because they had promise. Then they were never mentioned again. It just lacked focus, I guess, is the best way to put it.
Now, I realize that what I just wrote may make it seem like I didn’t like the book, but that’s not true. I actually enjoyed it very much and read it in essentially one sitting. It was engrossing, and the author did a good job of offering a lot of little threads to weave into the overall story.
I also liked Jenna as the main character. She was strong and pretty much stood up for herself. And the author made her untrustworthy by the way Jenna interacted with her husband after the initial accusation. (It didn’t help that her husband was pretty much being a jerk, but he sort of did have reasons for that). Jenna’s initial dishonesty cast doubt on her character that carried through the entire book, right up until we find out the truth about why everything was happening.
So, I would still recommend this as a good psych thriller. I just wish there had been a tad more consistency.
Author Bio
Victoria Jenkins lives with her husband and daughter in South Wales, where her series of crime novels featuring Detectives King and Lane is based. Her debut novel The Girls in the Water is an Amazon UK top 30 bestseller, and top 5 bestseller in the Amazon US chart.
Her first psychological thriller, The Divorce, was published in July 2019. The second, The Argument, was published December 10th 2019 and The Accusation publishes June 9th 2020.
