Ten Days (Sherratt)-BoT-Psych Thriller-Available Now

What makes a person a psychopath? Can childhood trauma permanently warp a person’s perceptions? What constitutes revenge…and is it ever enough?

All of these questions came to mind, and most were answered, in this page turning thriller. It’s one that you truly have to experience to appreciate the thought that went into crafting this story.

So, as I hate spoilers, this review is going to seem a little cagey as I dance around specifics to get my own points across.

The method of storytelling was very effective. There was a lot of time jumping and several different characters’ points of view. Some were only one chapter long, but they were vital in the course of the story.

If you read the headings at the beginning of each chapter, you won’t be lost. They are a virtual map of where you should be in the story.

I really liked the characters, both Alex and Eva. I know that sounds odd, as one of them is a super-villain, but that’s part of what made this book so good.

Two people, who each experienced a horrific event as a child, who each took a different path to adulthood. The stark differences were clarified repeatedly without the author hitting you over the head.

The psychopathy of making victims feel how the villain felt was one of the most interesting aspects of the story and really made the book unique.

The claustrophobia felt by one of the characters was palpable for the reader. I could feel the closed in space, the darkness, the feeling of helplessness. Very atmospheric and another aspect that was very well-done.

There were several “whoa!” moments that I didn’t see coming. In fact, after the prologue, I had an idea in my head, but then the author went in a different direction, and I totally followed along. Turns out my initial reaction was correct. Kudos for that red herring, as it lasted for at least a third of the book!

I did think there were a few things left a bit unfinished. Milly seemed to be extraneous, for the most part. I mean, I get why she was included, but I couldn’t quite grasp what Alex wanted from her, unless it was normalcy.

I guess maybe that’s it.

In the course of relating backstory, the author also gives a voice to other invisible victims – children who suffer from horrific abuse and then get lost in the care system. Even though the story takes place in the UK, the same could be said for the US as well.

It is easy to see how a person, desperate for a normal life and people to love, could become warped and misinterpret any perceived slight as a great wrong.

This is a thriller that was well-written with sympathetic characters (even the psychopath). It kept me guessing, had many surprises, and is an excellent page-turner, perfect for a thrilling summer read.

Instagram: mel_sherratt/
Facebook:  MelSherrattauthor
Twitter:  @writermels

Author Bio:My novels take you to the heart of the crime. I write police procedurals, psychological suspense and crime dramas – fiction with a punch. Shortlisted for the prestigious CWA (Crime Writer’s Association) Dagger in Library Award, my inspiration comes from authors such as Martina Cole, Lisa Jewell, Mandasue Heller and Clare Mackintosh.

To date, I’ve sold 1.7 million books. All sixteen of my crime novels have been bestsellers, each one climbing into the Kindle UK top 10 and I’ve had several number ones. I’ve also had numerous Kindle All-star awards, for best read author and best titles.

I live in Stoke-on-Trent, Staffordshire, with my husband and terrier, Dexter (named after the TV serial killer) and make liberal use of my hometown as a backdrop for some of my books. You can find out more at my website www.melsherratt.co.uk 

A Cut for a Cut (Wyer)-Blog Tour-Crime Thriller-Available Now

Just when I think Natalie Ward is my favorite investigator, along comes Detective Kate Young. I thought the introduction of this character in a new series was excellent and was excited to read the second installment.

I expected to be wowed, and boy, was I! No sophomore slump for Kate.

One of the things that I love most about this author’s books is the way the author creates characters who are real. They’re never caricatures or composites or seem fake in any way.

Honestly, when I read her books, I feel like she must have just followed a person around and simply wrote what they did throughout the day. That’s how realistic her characters are.

I also like how they’re intelligent women. They’re not ball-breaking feminists who think they have to be like a man to be respected – they get there on their own merits. But, at the same time, they’re vulnerable and subject to the emotions that go along with being female.

I know that might seem like an odd thing to say, but with gender such a subject of discussion, I think it’s important to recognize that women are unique and what some people may see as weakness may actually be a woman’s strengths.

For example, in this book, Kate is still getting advice from her husband Chris – you’ll know why this is important if you read the first one.

And if you haven’t read the first one, stop reading this right now and go read An Eye for an Eye; it will also give you a better idea of why these books are amazing.

Then read this one. Then you can come back to the review.  

Amazon UK: https://amzn.to/3pCnXyX
Amazon US: https://amzn.to/2TXmOGn

Anyway, back to Kate. Some would see her need to still talk to him as that she is losing a grip on reality, but I think it actually shows the importance of bonds between people and how they can remain strong, even when people are apart. (No spoilers).

The author weaves an intricate story, continuing with the investigation started by Chris that Kate has now picked up. The ins and outs of this plot line are multiple and masterfully related in the context of the immediate investigation.

This one has a personal angle for Kate as well. I’m not going to say much more on it, but in the course of investigating both threads, Kate realizes that the web being woven by certain characters is much bigger than she imagined.

She also realizes that the number of people she can trust is dwindling, which makes for some very tense moments.

As I have mentioned in the past, crime thrillers are difficult to review because I hate to give away any plot points that could ruin the investigation for other readers. At the same time, I want to convey how good a book is and why someone should read it. Quite a tightrope to walk.

I hope that I have done enough to convince you to read both books featuring Detective Kate Young. It’s early in the series and there is still time to get in on the bottom floor. Now is a good time before the through plot gets more complicated, which I’m sure will happen.

Reading this series is like watching a movie, and a great way to spend a few hours of your summer. You won’t want to put it down.

About Carol Wyer:

USA Today bestselling author and winner of The People’s Book Prize Award, Carol Wyer writes feel-good comedies and gripping crime fiction. 

A move from humour to the ‘dark side’ in 2017, saw the introduction of popular DI Robyn Carter in LITTLE GIRL LOST and demonstrated that stand-up comedian Carol had found her true niche.

To date, her crime novels have sold over 750,000 copies and been translated for various overseas markets.

Carol has been interviewed on numerous radio shows discussing ”Irritable Male Syndrome’ and ‘Ageing Disgracefully’ and on BBC Breakfast television. She has had articles published in national magazines ‘Woman’s Weekly’, featured in ‘Take A Break’, ‘Choice’, ‘Yours’ and ‘Woman’s Own’ magazines and the Huffington Post.

She currently lives on a windy hill in rural Staffordshire with her husband Mr Grumpy… who is very, very grumpy.

When she is not plotting devious murders, she can be found performing her comedy routine, Smile While You Still Have Teeth.

The Shut-Away Sisters (Goldring)-BoT-Historical Fiction-Available Now

I am a huge fan of this author. I’ve read all of her books (links to those reviews at the bottom), which have all featured WWII. I was very excited to see that she went further back to WWI for this story.

As with several Historical Fiction novels, there are two storylines, one historical and one contemporary. And, as usual, there is the draw of trying to figure out how the two are connected. In this instance, the connection is pretty clear.

From the blurb and other reviews that recount the plot, the reader knows that Kate (contemporary, 1999) has had a personal crisis and is asked by her father to help clean out his Aunt Florrie’s house, and she is the voice of the historical storyline.

The way Florrie’s storyline is told is clever. It took me a bit to make the connection to an early chapter, but once I did, the story flowed. The method allowed for Florrie’s voice to be clear and her attitudes to color the retelling of her story (which makes sense).

Now that we have the basics out of the way, I want to talk about specific things that jumped out at me.

I found the parallels between Florrie and Kate to be intriguing. As Kate struggles with the stresses of work and rebuilding her personal life, so does Florrie struggle with the events of her time. It’s not a spoiler to say that because of the timeframe, Florrie has to deal with WWI, the Spanish Flu epidemic of 1918, and post-war troubles.

There is a commonality in the way that each woman handles their particular issues. I liked this, because family has always told Kate that she looks like Edith, but it is clear that her mettle is solely Florrie.

I thought that the historical timeline was much more fleshed out than the contemporary one. In spite of all of the tribulations, there was a lyrical sense to Florrie’s account of history, and those chapters lulled me right into her world.

In other words, there is sometimes a jolt between contemporary and historical timelines in books of this genre. That wasn’t the case for me here. Each time we went back to Florrie, it was literally like stepping back easily into time.

The author did a phenomenal job of recounting the little things of the period. Yes, WWII and the 1918 Spanish Flu were horrific, but so where the countless repercussions that each of them caused.

Men who didn’t want to fight in the first place and then who weren’t released from service post-war, families that were dealing with the double hit of war and illness…not to mention the longer-lasting after-effects of war, including mustard gas.

But where the author really excelled was the slow mental decline of a person who could not face reality. I don’t want to say too much and give away an excellent part of the story. But the way the sisters are written showed two very different approaches to dealing with adversity.

Kate’s storyline seemed almost inconsequential at times, and I think that might have been on purpose. While living in Florrie’s house, she gets to know the people of the neighborhood and realizes how trivial and superficial her knowledge of people can be.

Indeed, it’s a realization that should wake us all up – previous generations have faced much more challenging times and come through them. Although, given the events of the past in this book, not everybody came through them intact and better off.

I know I’m kind of rambling but points just keep popping into my head that I think are important. For example, around WWI, it was important for young women to find a beau and get married young.

But what happens to a woman when her chosen suitor goes off to war? And what happens when that war almost decimates a large portion of the male population? What is a woman supposed to do then? Again, Florrie and Edith have two very different approaches.

I did think that the end of both storylines seemed rather abrupt. The event that essentially ends Florrie’s part (and finally ties the two time periods together) served its purpose in that there was a sense of resigned fatefulness for her – there was nothing more that could be said or done…so there wasn’t. It became what it ended up being.

I promise that all makes sense in the book.

For Kate, it also seemed a tad hasty. I would have liked to see a comeuppance of her sisters-in-law, for example. As it was, they (and her brothers) just sort of faded away. The same could be said with Florrie’s brother. Although, the reader does have to make some connections to realize his importance in the story even though it isn’t specifically spelled out.

This is probably the longest review I have written. I have so much more to say about this book, because each time I think about it, I find some other parallel, or something else that struck me.

I guess that’s the sign of a really good book – it continues to make you think long after the last page has been read. This definitely qualifies.

My reviews of other books by this author: My Name is Eva, Burning Island, The Girl Without A Name

Author Bio:
Following an eventful career as a public relations consultant, specialising in business and travel, Suzanne Goldring turned to writing the kind of novels she likes to read, about the extraordinary lives of ordinary people. Whether she is working in her thatched cottage in Hampshire or her seaside home in North Cornwall, Suzanne finds inspiration in the secrets hidden by everyday life.

Lady Sunshine-Blog Tour (Review)-Women’s Fiction-Available Now

Part historical fiction, part coming-of age, part family mystery, this book had a lot going on. Most of it was successful, making it a great beach read.

Told in dual timelines, the narrative belongs to Jackie in both 1979 (as a teenager) and 1999 (as the inheritor of her uncle’s old estate, The Sandcastle. It was effective to have a singular character be the focal point because the memories and impact of events were consistent.

I guess in a way it could be considered a dual historical timeline, since the contemporary line is set 22 years ago.

Anyway, the Jackie of now has a lot of unfinished business from her time at The Sandcastle. That’s where the family mystery comes in.

I thought the author did a fantastic job of recreating a summer full of idyllic memories. As the flashbacks occurred, it was easy to relate to Jackie. We all have those fond memories of a summer where the littlest things seemed important while nothing was really important at all.

She also captured the 70s vibe so well that I felt like I could see the tie dye and smell the patchouli and neroli oils mixed in with the seaside air. Those parts of the book really took flight for me.

Buy Links can be found underneath Author Info

I thought the parallels between the summer Jackie remembers (when everything changed) and what occurs in 1999 were interesting. It made me wonder if the present was influencing Jackie’s memories of the past.

Turns out I was sort of right.

There weren’t a whole lot of big moments in this book, more like important or pivotal moments that you don’t realize the importance of until you read Jackie’s reactions. I know that sounds convoluted, but I don’t know how else to describe it.

The writing just lulled me into the swing of the story, sort of hazy and blurry, just like memories often are. The parts capturing the 70s music scene were reminiscent of some rockumentaries I have seen, especially the one of the group Chicago. The author did some great research here.

It wasn’t a bad way to spend a few lazy summer afternoons.

Headshots by Sash Photography http://sashphotography.com

About the Author:AMY MASON DOAN is the author of The Summer List and Summer Hours. She earned a BA in English from UC Berkeley and an MA in journalism from Stanford University, and has written for The Oregonian, San Francisco Chronicle, and Forbes, among other publications. She grew up in Danville, California, and now lives in Portland, Oregon, with her husband and daughter.

The Girl Who Couldn’t Leave (Miller)-BoT-Women’s Fiction-Available Now

I’m of mixed feelings about this book.

On the one hand it was a pleasant story about overcoming fears, finding friendships, and learning to trust people. I really enjoyed these aspects of the story and thought they were very well done. Let’s talk about those first.

Fiona is a recluse who never leaves the house and does not interact with anyone. If she were an older lady, chances are that nobody would blink an eye at the behavior. But Fiona is quite young to be this isolated. Something happened that caused her to be so.

The reader doesn’t find out what exactly that is until very late in the book. More on that in a minute.

Fiona has given nicknames to her neighbors (as she has never met any of them). Long story short, a single mum needs an emergency babysitter for her two-year-old and Fiona reluctantly agrees.

Fiona’s growth as she realizes she starts to look forward to the toddler’s visits was nice. It was a good icebreaker for Fiona to realize the importance of human interactions.

From this starting point, Fiona expands her horizons. Her journey is interesting and there are some legitimate uplifting and heartwarming moments along the way.

I particularly liked Fiona’s interactions with another neighbor because they illustrated that all people have problems to deal with and it’s how the individual chooses to address their issues that defines their self-worth.

And sometimes that self-worth can only expand if we help others who need it most. (At least that’s what I got out of it).

While I thought that the themes and messages of the story were highly worthwhile, I am not sure that all of the mechanisms used to convey those messages worked.

One particular subplot about a neighbor’s personal escapades (that everyone could hear) was amusing but didn’t serve much purpose (other than to drive home that everyone has issues).

Likewise, the events that propel Bethany to rely on Fiona seemed contrived, as did the relationship that developed. I don’t mean that in an entirely negative way, it just felt heavy-handed while other parts remained lighter.

And the events that propelled Fiona into seclusion? I expected something much bigger and sinister. While I think that the idea of the event was a good one, the actual retelling of the details made it seem like Fiona was weak and just couldn’t deal. That could have used some tweaking for it to be more suspenseful and threatening.

In all, it just seemed like the author was trying to do too much, especially at the end where the pandemic is mentioned. In fact, the entire last chapter served as a wrap-up that I could have done without. It actually felt quite preachy and took me away from the gentleness of the book.

Which is a shame, because I think there were some good messages to be found. It was quite obvious that the pandemic had an influence on the plot. I just didn’t like that the author didn’t seem to trust their own intuition and felt the need to add unhelpful details into the story to slam points across.

Other readers may have a completely different experience, and I would certainly recommend they give it a try.

Instagram: katylittlelady/
Twitter: @katylittlelady

Author Bio:

When Catherine Miller became a mum to twins, she decided her hands weren’t full enough so wrote a novel with every spare moment she managed to find. By the time the twins were two, Catherine had a two-book deal with Carina UK. Her debut novel, Waiting For You, came out in March 2016.

Catherine was a NHS physiotherapist, but for health reasons she retired early from this career. As she loved her physiotherapy job, she decided if she couldn’t do that she would pursue her writing dream. It took a few years and a couple of babies, but in 2015 she won the Katie Fforde bursary, was a finalist in the London Book Fair Write Stuff Competition and highly commended in Woman magazine’s writing competition. Since then she’s had four novels published.

A Mother’s Lie (Mercer)-BoT-Women’s Fiction-Available Now

(Formerly titled Safe From Harm)

I am finding it hard to define this book.

It’s classified as Women’s Fiction and has the ubiquitous “emotional page-turner” tag line. There was certainly a lot of emotion in it.

But there were also family secrets and a hint of mystery as well. I guess you could say that it’s a well-rounded book.

As I mentioned in a recent review of another book, there have been a lot of female characters who run away from their problems to live in a small cottage on the coast. Ali is no exception. More on her in a minute.

I found myself thinking about how healing the sea can actually be for some people. Is it the waves and tides going in and out that allow people to imagine their problems being swept out with them? Is it the isolation that allows for introspection and the ability to take a deeper look at an issue?

Is it just those negative ions that make our brains happier?

I don’t know, but it’s a popular location.

In Ali’s case, we know that she is pregnant, and her husband has said some things that have caused her to escape to her grandmother’s cottage on the coast. There she meets neighbors Meg and Michael (and baby Jem) who seem like the perfect family.

Emphasis on seem.

In fact, nothing is as it seems in this book. Ali has secrets that she doesn’t share with Meg, even as their friendship grows. Meg keeps secrets from Ali – it’s quite apparent that there are some hidden issues, the extent of which only fully come to light late in the story.

As Ali comes to grips with her pregnancy (also late revelations about this), she does a lot of thinking. And I mean a lot.

I hate to admit it, but I was gripped by her musings. I was fascinated with how she pieced things together in her mind to justify her actions, and how her perception was clouded by what she actually wanted to be true.

Interspersed here and there are flashback chapters with Ali’s grandmother, Violet. I found the parallels between her and Ali to be interesting as well. Violet’s self-imposed exile made sense in the larger context.

Her interactions with Meg also showed that you never know when someone is going to touch a chord in you, allowing you to forgive yourself and move forward. I liked that message. A lot.

The aforementioned late revelations didn’t all work for me, especially in relation to Meg and Michael. They felt too convenient. A blast from Ali’s past also seemed manipulative and didn’t seem to fit the story. Maybe I just missed the point of that one.

What I really liked, however, was how Ali came to her conclusions about her husband’s attitude and realized what was really important. Sometimes it’s hardest to forgive, but only after we put ourselves in someone else’s shoes can we truly understand their point of view.

Because of the way Jon is written, I spent most of the book not understanding him and thinking he was a cad. It was amazing how the author got me to switch that opinion with a few simple words. Well done on that.

This is certainly an emotional book, and there may be some issues that other readers find difficult to manage. Not having any relatable experiences, I was able to read it and really take in the characters. I definitely recommend this book.

Author Bio: Leah Mercer was born in Halifax, Nova Scotia, on the east coast of Canada. Her first ambition was to be a journalist, but after completing a master’s in journalism, she soon realised she preferred anything other than reporting the news. After trying her hand at public relations, teaching and recruitment in various countries around the world, she finally settled in London and returned to writing… fiction, this time. Her first two novels, Who We Were Before and The Man I Thought You Were, were shortlisted at the UK’s Romantic Novelists’ Association Awards. Leah loves books, running and visiting historic houses with her husband and their son.

The House Guests (Richards)-BlogTour-Fiction-Available June 29

Excuse me while I go on a mini-rant.

I really dislike when publishers use taglines or descriptions that do not reflect the true nature of a story. I know they have to do so to draw readers in. However, I really wish they would focus on the book at hand and figure out a way to capture peoples’ attention by highlighting a realistic aspect of the plotline.

This book is a perfect case in point. (Now on to the review). While there is certainly tension between (and within) the two families, I didn’t feel anywhere near the tension that the description hinted at.

I expected a taut suspense novel with clues and hints that would make me wonder what was happening to who and why at any given time.

While there is certainly lots of tension, it is not of the very suspenseful kind. It definitely favors family drama tension. That’s not a bad thing. Once I adjusted my expectation and changed my attitude toward what I was reading, it turned out okay. I think I just did it a little bit late.

Anyway, I liked how the author illustrated that one simple decision can have long-reaching repercussions. I thought it was particularly effective because it was largely due to teen decisions.

And we all know how well teens usually make decisions (i.e., not well or necessarily good).

I also thought the conflict between Cassie and Amber was good. But it was also kind of weird because Cassie made the decision to invite Amber pretty much solely based on what Cassie’s daughter Savannah did.

That seemed a little bit shortsighted, especially in today’s world. I get that in fiction you have to sometimes suspend disbelief to be able to accept the conceit of a story, but this one almost pushed the limits of plausibility.

I do wish the author had focused more on the moms than the teen points of view. It’s difficult to write teens accurately without making them stereotypical. There might have been more to mine between Cassie and Savannah if it weren’t the usual “teen rebellion/my mom is awful” relationship.

I will say that the culmination was not as earth-shattering as I thought it was going to be. I think this was mainly because I had a different mindset through most of the book – my adjustment came late in the story, so it seemed like a letdown.

With that being said, if you go into this book expecting family drama between teens and moms, with some analytical commentary on being a good Samaritan, I think you’ll probably enjoy the story.

ABOUT THE AUTHOR:

USA Today bestselling author Emilie Richards has written more than seventy novels. She has appeared on national television and been quoted in Reader’s Digest, right between Oprah and Thomas Jefferson.

Born in Bethesda, Maryland, and raised in St. Petersburg, Florida, Richards has been married for more than forty years to her college sweetheart. She splits her time between Florida and Western New York, where she is currently plotting her next novel.

The Guilty Wife (James)-BoT-Mystery Thriller-Available Now

This book definitely grabbed my attention and held it – I read it in one sitting, which is very unusual for me these days.

I don’t know exactly how to classify it. The tag says it’s a psychological thriller, but I found it to be more of a mystery thriller – almost a whodunit and why. That being said, there were certainly a lot of mind games being played – and that goes for a majority of the characters.

First and foremost were Daniel and Tansy. They were both really pieces of work. In some ways, I felt that they actually deserved each other. Their lack of morals certainly fed into each other, and they were the epitome of “like attracts like.”

And Tansy was so well-written that I found myself having visceral reactions to her. Like I wanted to be able to slam her on social media.

Which was weird in a good kind of way.

I liked how the author broke everything into sections. We got to see things from different characters’ points of view. This added to the depth of the plot line and gave important backstory without it feeling like we were being told. It was all in the action.

And there was a lot of that. The juxtaposition of the idyllic beach resort and the horrible events that occurred were effective. Trouble in paradise, indeed.

I thought that the conceit of Pippa’s situation was interesting but didn’t exactly do anything for the plot itself. It seemed more like a mechanism for propelling her into the thick of the story. But it didn’t bother me. I did like how Daniel’s side of the story mirrored Pippa’s own experiences to an extent.

The way all the information rolled out was completely natural and made sense. There was never anything that was jarring or seemed out of place. Even the switches in point of view were smooth. It was all well-crafted into an intricate spider web of lies and deceit – from many angles.

The author also includes some very astute commentary on social media. None of it is particularly overt per se, but the meaning is crystal clear: social media allows for people to lie through their teeth and often get away with it.

To paraphrase Daniel’s observation, influencers are led to believe they are important simply because people believe whatever they have to say, and those same people often don’t see through the fakeness. I don’t know if that’s more of an indictment of influencers or their followers. But it was searingly accurate.

I did think the wrap up was a bit on the weaker side and kind of felt like the author didn’t exactly know what to do with Pippa and Jim. But that didn’t really bother me either. I still enjoyed the book immensely and would highly recommend it.

One side note: The original title for the book was Happily Ever After. I actually think that was a much better title than this one. There is actually only one wife in the book (well, technically two), but it isn’t solely about her.

“Happily Ever After” covered more of the characters and their situations, and the sarcasm in it (given those situations) was effective. This is one case where I wish they had left the original title in place.  

Author Bio:

Born in the Cotswolds, Alison spent most of her formative years abroad. She studied languages at Oxford, then became a journalist and author, returning to university after her two children to take a law degree. After a three-year stint as a criminal paralegal, Alison worked as a commercial copywriter and then a TV storyliner, before coming full circle to write fiction again.

The Butterfly Garden (Anderson)-BoT-Women’s Fiction-Available Now

The description of this book caught my eye for the “family secret” aspect. I’ve come to realize that I enjoy reading what authors come up with as desperate or “awful” enough to have been kept a secret.

Sometimes, they are totally worthwhile, and I’m left speechless by the way everything has been crafted. Other times, they don’t seem to live up to the hype of the story.

I’m happy to say that this book falls firmly in former category. But more on that in a minute.

I’m also interested in how the characters react to the aforementioned secrets. Are they totally surprised, and does it set off a new chain of events? Or do they accept it and continue as is, simply holding on to new knowledge.

Again, this one falls in the former category.

I honestly didn’t know what to expect from Erin or Maggie. The author did a great job of making their characters fairly unlikeable in the opening chapters. I think this worked because it made their eventual friendship (not a spoiler) that much more poignant.

Erin was a young girl at odds, and she had to return to her village with her tail tucked between her legs. We all can relate to that feeling of having messed up so badly that nothing will ever be right again.

I thought her growth was exciting to watch (read?). She drew on her strength before she even realized she had any. A pivotal moment with her parents catapulted her into action that (at first glance) seemed like a childish tantrum, but actually showed depth of feeling and helplessness.

And that’s when family secrets are the most interesting.

I liked how Erin lived vicariously through Maggie and vice versa. I also liked how Maggie’s story (including the secrets) was relayed. There was even a meta touch near the end that I enjoyed.

I don’t want to give away any plot points, because it was enjoyable to discover them on my own (and I want to give readers that opportunity). But I will repeat how much I enjoyed Erin’s journey.

I will also say, though, that it took me a bit to understand the title and the symbolism of the butterflies. The author was very subtle with this, which I appreciated. In fact, it really wasn’t until I sat down to write this review that all of the different ways occurred to me.

There are a lot of books out there with taglines about being emotional page-turners. I think the sign of a really good one is when I don’t go in expecting to feel anything but find myself nodding in agreement at a character’s actions or tearing up unexpectedly.

Once again, this book delivers in both of those cases. It’s a well-written, compelling story with regrets and new beginnings. And it should go right on your TBR list.   

Twitter: @MSophieanderson
Facebook: sophieandersonfiction

Author Bio:
Sophie Anderson enjoyed a career in TV production in London before working with her husband to set up an online software business where she wrote the marketing content. But neither scratched that creative itch to tell a story, so she enrolled on a writing course and wrote her first novel The Butterfly Garden. She lives in Sussex with her husband, four children, a cocker spaniel and two cats.

The English Girl (Mitchell)-BoT-Historical Fiction-Available Now

This book had easily one of the most thrilling openings I have ever read.

I think maybe because it is one of the first times that at least part of the historical events in the book took place in a time that I actually remember. The fall of the Berlin Wall is etched in my mind for many reasons.

One, the 80s were a pivotal time for me, and the fall of the Wall was a pinnacle of Western achievement and diplomacy. I have clear memories of Reagan’s impassioned speech, and of watching the coverage when it actually came down. The euphoria from the people of Berlin was palpable even through the television screen.

Secondly, I had visited Berlin with my parents only 5 years earlier, and we had taken a tour from West Berlin to East. Even as a young teen, I recognized the difference in the two cities. It was noticeable in everything from the architecture to the faces of the people.

So (back to the book) the opening involving Tiffany in West Berlin in November 1989 was something instantly relatable to me.

What was interesting, however, was that after that introduction, the reader is catapulted back to England in October 1946. And it takes a very long time to get around to what the two time periods have in common.

That’s no complaint because the storyline set in 1946 was absolutely fascinating. I’ve never made a secret of how much I enjoy learning new things from historical fiction, and this one certainly fits the bill.

I think the author did a phenomenal job of covering how English townspeople would have felt having a POW camp in their midst. There were sympathizers, people who were angry, and people who just wanted to move on. Every perspective that I could think of was covered by a townsperson in some way.

There was a lot going on in this town as well. For example, the person in charge of the camp was obviously suffering after-affects of the war. His wife had other interests. A young man who had been unable to fight realized the depths people would go to so that he remained safe. A woman struggles with her feelings about a prisoner in the camp.

I don’t want to say too much, but it all made for compelling reading. I never felt like the story jolted too much around and each plot thread seemed to take place accordingly and in the flow of the story.

I was especially taken by Fran. She is central to many other threads. There was something about her that I just liked. I could see myself making the same decisions she did and having the same thoughts and feelings. I also liked Martin for these same reasons.

I thought one scene set around Christmas time was especially poignant and illustrated the human side of war that is so often forgotten. Germans and townspeople alike were in a new world and were able to see each other for the humanity (at least most of them did).

In the course of this, the author also makes some stark points with perspectives that are thought-provoking (What makes a soldier? Were all Germans bad? Can individuals be held accountable for a whole country?). There was a lot of depth here, but it was never preachy or overdone.

Honestly, this was just a good solid story, with many threads, that gave the reader insight to the people in a small town in England in 1946/47. And it was very well done.

Oh, and we don’t get back to Tiffany until the end. Have the tissues ready. There’s a lot that happens in the end to wrap everything up, including a “blink-and-you’ll-miss-it” reference to an earlier event that was subtle and touching.

A thoroughly satisfying and excellent story.

Author Bio:

Sarah grew up in Norfolk and studied law at Cambridge University which led to a career as a barrister, working mainly in the field of human rights. After nearly twenty years she was tempted off-track by a creative writing course at the Open University and fell in love with making up stories instead of constructing arguments. Three years later she completed, with distinction, an MA in Creative Writing – Prose Fiction at the UEA.

Now she lives in Norfolk again, this time with her husband and three almost-grown-up children, where she combines writing with some legal work – and thanking her enormous number of lucky stars.

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