When the Nightingale Sings-Book Review-Available Now

My love of learning new things from a historical fiction book should be obvious by now (I’ve mentioned it enough times in other book reviews). But what I am finding that I like even more is when an author takes a little-known fact – or something that is widely known but rarely detailed – and runs with it, turning it into a full story.

That is certainly the case with this book. From the blurb, you know what is going to happen, but the details that go into making the story come alive are superbly researched. And if there is any artistic license taken, it is done so in such a way that it is seamless within the kernels of truth.

The author does a fantastic job of describing the science loved by both Hedy and Judy so that a layperson can understand it. Even as they are working on advanced physics and other topics, the descriptions are general enough to know that they’re important without getting bogged down with scientific details.

What I really enjoyed most about the book was the balance between the science and horrors of war and the Hollywood scene of the era. It was as if the author captured exactly how people viewed Hollywood at the time – as an escape from the despair.

Even as I write this book review, it’s crystallizing in my mind – the scenes set in Hollywood were little escapes from what was going on elsewhere with Judy. This was truly excellent plotting by the author. As a fan of several of her books, I have to believe that this was done purposely, and it was masterful.

The author also has a knack for writing vividly detailed scenes that make the reader feel as if they are actually experiencing the event with the characters. This was especially true with the London Blitz and Pearl Harbor in this book.

She gave depth to a Hollywood bombshell who never really got the credit that she deserved for her mind. I liked how this paralleled what Judy experienced, even though Judy felt that she was never attractive. Neither woman was acknowledged at the moment for their contributions.

I also like it when I get towards the end of the book and have been so caught up in the narrative that I forgot where it all started. That was the case in this book. I was taken away by Hedy and Judy’s stories, and when the author returned to the scene from the beginning, I was able to look at it with a deeper understanding of both characters. That is a job extremely well done.  

I could go on and on, analyzing Hedy and Judy’s parallels and dissecting the story, but I’d be better off just saying that this should be at the top of your reading list. It is impeccably researched, heartfelt and emotional (I needed tissues for the last few chapters).

By far, one of my favorites of the year.

Other book reviews for this author:

Facebook: suzkelman
Twitter: @suzkelman

Author Bio:
Suzanne Kelman is a 2015 Academy of Motion Pictures Nicholl Finalist, Multi-Award-Winning Screenwriter and a Film Producer. As well as working in film she is also an International Amazon Bestselling Fiction Author of the Southlea Bay Series – The Rejected Writers’ Book Club, Rejected Writers Take the Stage and The Rejected Writers’ Christmas Wedding. Born in the United Kingdom, she now resides in Washington State.

Psychological Thriller-The Guilty Sister-Available Now

So, what do you do when you guess a major twist early in a psychological thriller? Do you stop reading because you think you know what happens? Or do you trust the author enough to keep reading and see if you’re right?

And if there is anything else up their sleeve?

This is my dilemma with this book. I was so certain that I was right that I wasn’t sure if I wanted to keep reading. Fortunately, I went with my gut and chose the latter. I’m glad I did because there is a lot more to unpack than meets the eye.

The author does a great job of keeping the reader off-balance as to who is good or bad. But are those lines easily drawn anyway? There are more than a few additional twists and some pretty nifty character projections.

And the final pages completely cast the whole previous story in a different light.

I think Sara is a unique character. On the surface, she seems like a normal, shy person who has a routine that she prefers to stick to (rather than try new things). However, it becomes very clear that there are a lot of undercurrents to her and that is largely a façade.

To me, the way she treats Poppy is indicative of how she feels about people and animals in general while also illustrating how damaged her psyche is.

How’s that for not being a spoiler?

I found Bradley to be quite a conundrum. Kudos to the author for that as well. I was never sure of his status (friend, foe, faker, or fatality) – I thought he was each of these at one point or another throughout the story.

I think that Sara and Bradley’s relationship is the perfect example of “like attracts like” because they are more similar than either of them realize.

There are a few parts that seem to be glossed over or the explanation doesn’t entirely ring true to me. Even after finishing the story and realizing why the author made those choices, I still am not entirely sure.

But it wasn’t enough to keep me from liking this psychological thriller.

And actually, while reflecting on it to write this review, I realize just how twisted and complicated the entire story is. If there is ever a book that could be described as an “intricate web of connections and half-truths,” this is the one.

As I am going down this thought path now, even more connections and questions are popping up in my mind. I rarely go back and read a book a second time these days; there are too many good books and not enough time.

But now I’m thinking I may need to with this one because I’m pretty sure that I missed a lot of subtlety in the events.

I guess that is the sign of a great book, right? One that keeps you thinking and wondering what you missed? But you should read this psychological thriller for yourself and see what you think.

Other psychological thrillers by this author:

Author Bio

Arianne Richmonde is a half British, half American, USA TODAY bestselling author, who lives in France with her husband and four-legged family. Surrounded by vineyards and sunflower fields in an old stone farmhouse they restored, she fills her days creating twisty novels full of suspense and intrigue. When she isn’t writing she loves to travel, especially to warm, exotic countries, all in the name of research. She used to be an actress so likes nothing more than to immerse herself in the minds and lives of her characters.

The Mother’s Fault (Trope)-BoT-Psychological Thriller-Available Now

I am of a split opinion on this book. On the one hand, it had good suspense and a twist that I didn’t expect. But on the other, there was a lot of exposition and “thinking” which didn’t make for a lot of action.

Well, it did, but it wasn’t current action. I’ll try to explain.

A lot of psych thrillers have “Now” and “Then” chapters. To me, that keeps the action current because the reader clearly knows where they are in time. And if I’m told that I am now reading something as it happened eight years earlier (for example) I can put myself in that point in time.

In this book, however, pretty much everything that occurs in the past is recounted in characters as they remember it. And while there is action in the memories, it doesn’t feel as exciting as if I was put right in the middle of it.

And I recognize that this is totally a personal preference of mine. I’m just trying to explain it (and probably not doing a good job of that). I just felt that as a reader, I was in the characters’ heads too much. But other people may like that method of storytelling.

The plot itself was a good one. We know that Beverly has secrets and that Riley is a pretty typical eight-year-old. I did think that Beverly went a little too heavy on her worries, but once everything became clear, I could see why she did that.

The story is told from different points of view – mostly Beverly and Riley – but with a mystery person interspersed. Roughly halfway through, the mystery person is revealed and then the action moves more to the current time.

I did partially guess the big reveal fairly early on, but the author had a couple of twists that I didn’t expect or guess, so I really enjoyed those surprises. There were enough red herrings to also keep a few guesses suspended until the truth was revealed. And the epilogue wrapped everything up nice and neat – almost too much so.

But again, that is a matter of personal preference. I get the juxtaposition of the scenes at the end, so I am pretty sure that I understand why the author wrote them that way.

If you don’t mind character flashbacks that are more mental than actual action, this is the book for you. Even if you’re like me and prefer more “in the moment” action, I would still recommend it for the twists, a heroic neighbor, and a cute dog.

Facebook: NicoleTrope
Instagram: nicoletropeauthor
Twitter: @nicoletrope

Author Bio:

Nicole Trope went to university to study Law but realised the error of her ways when she did very badly on her first law essay because, as her professor pointed out, ‘It’s not meant to be a story.’

She studied teaching instead and used her holidays to work on her writing career and complete a Masters’ degree. In between raising three children, working for her husband and renovating houses, she has published six novels. She lives in Sydney, Australia.

The New Mother (Crouch)-BoT-Psychological Thriller-Available Now

If you are looking for a book that has secrets and twists, off-the-wall crazy characters, a dash of “what-did-I-just-read,” and a stinging commentary on social media, this is the one for you.

Seriously, I am struggling with how to describe this book because it was all of what I just said and more, but it wasn’t gonzo or ridiculous.

It was just a really, really good story! It wasn’t static, it morphed as it went, growing organically until the breathtaking climax. And before I get into the rest, can I just say that the pivotal scene was one of the most cinematic I have ever read?

Anyway, as usual, I don’t want to give away any plot points, which is going to be tough in this review.

I thought the author did a fantastic job of creating both Abbie and Rachel. It was obvious from the beginning that they both had something to hide, but the true extent of those secrets took a long time to be revealed. And even when there were hints, they didn’t give away the full nature of the deceit.

Each was meant to be sympathetic in their own way. And as truths were revealed, I found myself wondering whether or not I still felt sorry for them or if they deserved what was happening.

It’s a talented author who can make me care about characters enough to give them deeper thought and connect to my own feelings about them.

I found myself predisposed to dislike Rachel, but I recognize that was due to my distaste for social media influencers. I don’t want to say too much, but she really personifies the whole scam of Insta-celebrities.

(BTW, pay attention to the Instagram posts that are interspersed with the chapters. That is all.)

I’m sure that was by design because the character was too well-established for the author to not mean for that connection to be made.

As for Abbie, she was a bit of a sphinx. I think she truly believed in what she was doing and could always justify her actions. But her reactions to certain events showed that she was as in control of herself as Rachel was – and that didn’t make for a good combination.

There were a few subplots that I wasn’t too sure about at first, but later in the book, it became apparent as to why they were necessary. The same goes for a few facts about Fran and Rachel’s friendship. I get it, but they didn’t necessarily fit into the bigger scheme.

Unless, of course, they were meant to be as off-the-wall as where it all ended up.

Honestly, I could prattle on. Let’s just leave it at this is one of my favorite psych thrillers of the year. Oh, and Annie Wilkes has nothing on the characters in this book.

Go. Read it now.

Facebook: JuliaCrouchAuthor
Instagram: juliageek
Twitter: @thatjuliacrouch

Author Bio:
Julia started off as a theatre director and playwright. While her children were growing up, she swerved into graphic design. After writing and illustrating two children’s books for an MA, she discovered that her great love was writing prose. The picture books were deemed too dark for publication, so, to save the children, she turned instead to writing for adults. Her first book, Cuckoo, was published in 2011, and she has been writing what she calls her Domestic Noir novels ever since. She also writes for TV and teaches on the Crime Writing MA at the University of East Anglia. She has three grown up children and lives in Brighton with her husband and two cats, Keith and Sandra.

The Mother Next Door (Laskowski)-Blog Tour-Thriller-Available Now

If you’re a seasonal reader looking for a spooky novel with just enough gossip and drama to keep you interested, look no further. This is the book for you.

Set on and around Halloween, the author creates an eerie atmosphere and serves up a couple of chills along the way. There isn’t a whole lot of depth or deep thinking, but that’s okay. The plot skims along and keeps the reader entertained from beginning to end.

Theresa is happy to have moved into her idea of a perfect house – but there is an undercurrent of unease in the neighborhood. It could just be the season because the annual Halloween block party is coming up. Or there could be past events coming back to haunt the residents of Ivy Woods.

Maybe it’s both.

Buy Links can be found underneath Author Bio

I thought that the author set the tone in an excellent manner, introducing the story with a mystery narrator. It was atmospheric, and the continued narration scattered throughout the chapters was eerie.

I keep using those words (creepy and eerie). Honestly, I typed them in my notes several times as I was reading. I can’t stress enough how atmospheric the story was.

And that attention to making it spooky and creating doubt as to what was going on and who was responsible is what absolutely makes this novel.

There are plot points that seemed thin and a few things that just didn’t ring true. For example, Kendra’s attitude toward younger women seemed to be thrown in merely for motivation – there wasn’t a lot of backup or other examples of why she felt that way. The same could be said for the rest of the Ivies…there wasn’t a lot of depth or follow up to their characters.

But once again, that didn’t matter to me, because that’s not how I was reading the book. I took it for a fun October read with a few surprises and I thoroughly enjoyed it for that.

So just let yourself skate along with the narrative. Don’t think too much or expect deep revelations. Think of it as a favorite scary movie that you watch every year.

If you do that, you’ll definitely enjoy this book.

Facebook: tara.laskowski.9
Twitter: @TaraLWrites
Instagram: @taralwrites

AUTHOR BIO

TARA LASKOWSKI is the author of One Night Gone, which won an Agatha Award, Macavity Award, and Anthony Award, and was a finalist for the Mary Higgins Clark Award, Left Coast Crime Award, Strand Critics’ Award, and Library of Virginia Literary Award. She is also the author of two short story collections, Modern Manners for Your Inner Demons and Bystanders, has published stories in Alfred Hitchcock’s Mystery Magazine and Mid-American Review, among others, and is the former editor of SmokeLong Quarterly. Tara earned a BA in English from Susquehanna University and an MFA from George Mason University and currently lives in Virginia. Find her on Twitter and Instagram, @TaraLWrites.

BUY LINKS:

His Loving Wife (Smith)-BoT-Psychological Thriller-Available Now

I love it when a book starts with a scene that draws me in and makes me wonder where the rest of the story is going to go. This one absolutely succeeds in this regard.

After a terrifying event, the reader is immediately taken to a family vacation nearly a year after the initial incident. It’s apparent from the very start that the family is struggling to heal – but just how bad it has gotten remains unseen.

The rest of the book jumps between current time (usually Kate, sometimes Andrew) on the vacation and various points over the past year. In other words, there is a lot of switching perspectives.

It sounds like that might make it confusing, but it doesn’t. It’s always very clear where the reader is in the narrative. I actually liked this method, because it felt like there was an outline of the big picture and the author was filling in the areas with color, building to the overall view.

The tension also grows as Kate not only relives the incident and worries about her family’s safety but as she realizes that things are happening that are beyond her control – and that might be an even more imminent danger than what she is worried about.

I will openly admit that I thought the story was going in a plausible direction and would have been happy with it had it turned out the way I thought it was going to.

However, and I need to choose my words carefully here, the author throws in a gigantic twist that I did NOT see coming. Once the thread on that storyline is pulled, the whole thing unravels and reforms into a gonzo, what-the-heck-just-happened crazy ride.

It was a great way to turn something good into something memorable and unique. I don’t think I’ve read a story with this particular “crime” as a focus in a very long time.

And no, I’m not going to say what it is or what the other book was, because that would give it away.

I do want to be clear. The author didn’t do this in a way that made it implausible. There was suspicious behavior by characters that could have been chalked up to coping with the incident from the beginning.

But instead, the behavior was actually something much worse. It actually gave insight to the psyche of one of the characters and illustrated how events throughout one’s life could permanently damage confidence…and cause a misplaced sense of what is right or wrong.

I’m starting to say too much.

There were a few times that Kate irritated me because it seemed as if she should have been more aware. But then I remembered that she was still dealing with the incident from the beginning and her own dose of guilt (which was being played upon), so I was able to get over it.

I really enjoyed this book, especially the twist, and I definitely recommend it.

Author Bio:
Miranda Smith writes psychological and domestic suspense. She is drawn to stories about ordinary people in extraordinary situations. Before completing her first novel, she worked as a newspaper staff writer and a secondary English teacher. She lives in East Tennessee with her husband and three young children.

Find Me at Whisper Falls (Oaksmith)-BoT-Small Town Romance-Available Now

I am a big fan of this author’s books. The characters are usually relatable, the settings are lovely, and the stories are charming.

This book is no exception.

You can find descriptions elsewhere, but in a nutshell, Freya and Trent were rivals in vet school. And then they find themselves both vying for the same job in small-town Whisper Falls.

It’s a romance, so you know what’s supposed to happen in the end, but as usual, the joy and fun is in following the path with them as they try to get there.

I will say that this one was a little interesting for me because I had a difficult time connecting with Freya. I felt that she was a little colder than past heroines in this author’s stories. I guess she was just more prickly than usual?

Regardless, that coolness made it difficult for me to root for her at first. I get that it was probably in response to past experiences, but I found myself feeling more for Trent than for her. It seemed like she brought her frustrations all on herself.

I was amused at how Trent dealt with her. I think he felt the same way I did about her – she was prickly in vet school, and now he has to compete with her for a job. But I also think he was more patient with her than I would have been.

There are the usual small-town characters that add color to the story, but they’re never overbearing or distracting. It’s all just part of the background. The author has either lived in a small town or done her research because a lot of it was familiar.

Not because I’d read the story already, but because I’ve lived in small towns, and in many ways, they’re similar: cast of characters, distrust of newcomers, eager to preserve their town the way they know and love it.

That was a unique aspect of this book as well. The author has an added plot line about tech companies buying land to build data-mining offices. It seemed a little random, but it was an interesting side story.

Anyway, it was different to root for the guy instead of the girl for a while and that side plot kept it from being boring. Not that her books ever are. It was just a different spin than usual.

As always with this author, I recommend this charming small-town romance.

Author Bio:
Ellyn Oaksmith is the USA Today and Kindle bestselling author of the Blue Hills Series, featuring the Alvarez family. After graduating from Smith College and attaining her MFA from The American Film Institute, Ellyn began her writing career as an award-winning screenwriter in Hollywood. Her books explore the same themes as her screenplays: grit, humor, family and love. Ellyn lives on one of Seattle’s many hills with her husband and spends as much time as possible on the water as part of a competitive rowing team.

The Mistletoe Pact (Lovett)-BoT-Romantic Comedy-Available Now

I find myself confused by this author’s books. There are so many things that I like, but at the same time, I’m finding that there are things that I wish were improved to make the good things even better.

First for the good. The author has a talent for making characters that seem real and believable. They’re often pleasant, which makes the reader want to root for them to finally get together.

That’s certainly the case with Dan and Evie. It’s no spoiler to say that their relationship is fated to be, but there are a lot of stumbles along the way.

The story is told in an interesting fashion. We start in the “now” which is Christmas, with Evie and Dan in Las Vegas. As they say, what happens in Vegas stays in Vegas. But for them, it isn’t that easy.

From there, the plot switches to past Christmases, eventually catching up to the present. Then the author does something unusual and moves the action forward, where “now” actually becomes the future (2022).

This was effective because it made sense in the context of Dan and Evie’s plot arc. It also allowed for a LOT of other stuff to happen in the meantime.

And in some ways, although I liked the movement forward, it almost seemed like there was too much to fit in. I really enjoyed their story, but once I reached the “now” of the present time, everything else seemed like filler.

Which is weird, because that’s actually where the bulk of the action takes place.

Anyway, there were times that I felt that the author was trying to do too much. Dan had issue after issue – with his dad, his brother, his ex – and it didn’t always seem to fit the overall plot. More that “let’s give Dan more so that the reader will be more sympathetic toward him.”

Evie was sort of the same. Between the sexy mom and the lackluster boyfriends, it all seemed to just pile on. I didn’t feel it was necessary because the plot itself (and the romance) was pretty decent to begin with. It could have been more straightforward.

There were also times that I felt that the author got lazy in the actual writing. Phrases became repetitive, people repeated what others had just said, whole conversations were of the same thing said by different people. It might have been for comedic effect, but it just fell flat for me.

Which is a shame, because as I mentioned, Dan and Evie’s story is charming. And if the telling of it had been more direct with less added drama, I could have enjoyed it even more.

As always, that’s my take on it. Other people may have a different opinion and may like the extra details. There is enough to like in the book for anyone to give it a try for themselves.

Author Bio:

Jo Lovett lives in London with her family. She worked in Corporate Tax before taking a longer-than-expected career break to have more-than-expected children (five). She started writing romantic comedy when she realised that she was regularly begging her oldest son to let her do his English homework but she wasn’t actually that interested in haunted houses or Macbeth.

Jo was runner-up in the Good Housekeeping/ Orion First Novel Competition 2018 and shortlisted for the Comedy Women in Print Award 2019. When she can escape from her laundry mountain and childcare, she enjoys reading, tennis and wine.

The Liar’s Child (Browne)-BoT-Psychological Thriller-Available Now

This book was twisted in so many ways, I am not sure how to even start unraveling it. But I’m going to try.

On the surface, it’s the story about a family coping with the possibility of a life-changing illness in their child. It’s also the story of grudges, betrayals (imagined and real), and family history…in short, lots of issues. And it’s a clear commentary on the danger of assumptions.

That’s a lot to unpack in a psychological thriller. And because it is so much, there were some parts that were more successful than others.

The medical plot thread made sense, and it was a good basis for the tensions between Kay and Matt. When faced with situations like that, it’s easy to become vulnerable to all sorts of worries and internal questions. That was certainly the case with them.

I also liked the thread with Olivia. I had an idea early on where that one would go, but the author did a good job of giving just enough information, dropping hints here and there, to keep it interesting until it took a bigger focus in the story.

I thought that Kay was a victim throughout most of the story. She was worried for her child, aware of something (or somebody) manipulating the varying situations, but also at a loss to see the bigger picture because she was too caught up in drama.

And that leads us to Matt.

He was actually the perpetrator of a lot of the drama, and frankly, he got on my nerves. I didn’t think he was a nice person (even though Kay kept telling us that he was), he obviously held grudges (again, real or imagined) and he flew off the handle way too easily.

He also let his inner demons take control of things, didn’t see reason, was way too over-reactive…just really unlikeable.

I understand that there was a reason for him being that way, and that the family history plays a big part (going back to when he and his brother Jason were kids), but it just seemed to be too much. Especially when he expected Kay to listen to and believe him but didn’t give her the same consideration.

There are also times that the language felt repetitive. For example, there was one section where everyone was feeling poorly (I think it was repeated at least five or six times). There weren’t many instances, but this writer’s language is usually quite sharp, so it stood out to me.

The entire plot is intricate, and I was never quite sure where the author was going with who knew who, what the real story was, and (most importantly) who was the liar and who was the liar’s child. I had my suspicions about all of it – some were right, some were not quite accurate.

If an author can keep me guessing up until the reveal and surprise me in the process, that’s a winner in my book. And this story did exactly that.  

Twitter: @sherylbrowne
Instagram: sheryl.browne

Author Bio:
Sheryl Browne writes psychological thriller and edgy contemporary fiction. A member of the Crime Writers’ Association, Romantic Novelists’ Association and awarded a Red Ribbon by The Wishing Shelf Book Awards, Sheryl has several books published and two short stories in Birmingham City University anthologies, where she completed her MA in Creative Writing.

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