I am a huge fan of Suzanne Goldring. Her historical fiction novels have impeccable research. They are heartfelt and unique. The Girl with the Scarlet Ribbon is no exception. This may be my favorite one yet.
There is a contemporary storyline that alternates with the historical timeline. And (as usual) the author does a masterful job switching between the two.
This works because each of the timelines is a full story in its own time. It is almost like reading two different stories, where each has its own interest. Except they weave together to make a full narrative.
Simply put, it is masterful storytelling.
First off, Sofia is tasked with putting together an exhibit of her recently deceased father’s paintings. Riccardo is world-renowned, and the paintings are full of symbolism. However, neither Sofia nor her mother (Isobel) fully understands them.
In the historical timeline, we get Riccardo’s story. He grew up in Italy during the German occupation of WWII. The history is apparent. This makes some of the symbolism in Riccardo’s paintings is abundantly clear.
But the pathos in the story comes from his childhood. In linear fashion, how the events that he witnessed created a tortured mind. And how that tortured mind produced the famous paintings.
I know that sounds convoluted but it really isn’t. It is straightforward and easy to follow. The topic and the focus grab the reader with their uniqueness. Together, they weave a spell that allows for seamless transitions.
Apple: http://ow.ly/sUMV50HYGc5
Kobo: http://ow.ly/9i4J50HYGc7
Google: http://ow.ly/a3vf50HYGc6
I don’t want to say how Sofia and Isobel come to learn more about Riccardo’s paintings. That is part of the surprise of the story. But it is an interesting twist that allows for some self-reflection from both characters.
I will say that I did not like Isobel. Why? Because she was, to put it bluntly, a shrew. Now, I understand why the author wrote her character that way. But it was annoying.
I felt no pity for her complaints about how much she suffered at the hands of Riccardo’s genius because she was just so unlikeable. Even when you learn his secrets, she still is whiny and entitled.
Honestly, Sofia was a saint for putting up with her. And even she had her trouble doing so. Their relationship is not an easy one. They are quite opposite each other.
That all takes place secondary to the paintings, though. Finally, a last word about the symbolism. These were easily my favorite parts of the book. As I mentioned, some were obvious, and others only became apparent after Riccardo’s story unfolds.
But all of it is fascinating and gives this novel a truly unique spin.
Suzanne Goldring is a masterful author, and The Girl with the Scarlet Ribbon is an excellent addition to the genre. For more by this author, check out the following books: My Name is Eva, The Girl Without a Name, Burning Island, The Shut Away Sisters.
Twitter: suzannegoldring
Author Bio:
Following an eventful career as a public relations consultant, specialising in business and travel, Suzanne Goldring turned to writing the kind of novels she likes to read, about the extraordinary lives of ordinary people. Whether she is working in her thatched cottage in Hampshire or her seaside home in North Cornwall, Suzanne finds inspiration in the secrets hidden by everyday life.
