Day: September 25, 2021

This book was twisted in so many ways, I am not sure how to even start unraveling it. But I’m going to try.

On the surface, it’s the story about a family coping with the possibility of a life-changing illness in their child. It’s also the story of grudges, betrayals (imagined and real), and family history…in short, lots of issues. And it’s a clear commentary on the danger of assumptions.

That’s a lot to unpack in a psychological thriller. And because it is so much, there were some parts that were more successful than others.

The medical plot thread made sense, and it was a good basis for the tensions between Kay and Matt. When faced with situations like that, it’s easy to become vulnerable to all sorts of worries and internal questions. That was certainly the case with them.

I also liked the thread with Olivia. I had an idea early on where that one would go, but the author did a good job of giving just enough information, dropping hints here and there, to keep it interesting until it took a bigger focus in the story.

I thought that Kay was a victim throughout most of the story. She was worried for her child, aware of something (or somebody) manipulating the varying situations, but also at a loss to see the bigger picture because she was too caught up in drama.

And that leads us to Matt.

He was actually the perpetrator of a lot of the drama, and frankly, he got on my nerves. I didn’t think he was a nice person (even though Kay kept telling us that he was), he obviously held grudges (again, real or imagined) and he flew off the handle way too easily.

He also let his inner demons take control of things, didn’t see reason, was way too over-reactive…just really unlikeable.

I understand that there was a reason for him being that way, and that the family history plays a big part (going back to when he and his brother Jason were kids), but it just seemed to be too much. Especially when he expected Kay to listen to and believe him but didn’t give her the same consideration.

There are also times that the language felt repetitive. For example, there was one section where everyone was feeling poorly (I think it was repeated at least five or six times). There weren’t many instances, but this writer’s language is usually quite sharp, so it stood out to me.

The entire plot is intricate, and I was never quite sure where the author was going with who knew who, what the real story was, and (most importantly) who was the liar and who was the liar’s child. I had my suspicions about all of it – some were right, some were not quite accurate.

If an author can keep me guessing up until the reveal and surprise me in the process, that’s a winner in my book. And this story did exactly that.  

Author Bio:
Sheryl Browne writes psychological thriller and edgy contemporary fiction. A member of the Crime Writers’ Association, Romantic Novelists’ Association and awarded a Red Ribbon by The Wishing Shelf Book Awards, Sheryl has several books published and two short stories in Birmingham City University anthologies, where she completed her MA in Creative Writing.