June 24, 2020

I liked this author’s Some Days Are Dark, so I was looking forward to this one. I was not disappointed. I love a good gaslighting, and I got plenty of that in this twisted thriller. It hooked me from the beginning and slowly continued to draw me in up to the explosive finale.

The author did a fantastic job setting the scene, giving the reader a peek via flashback to an event that shaped Della’s (the main character) life. I mean, wow…what an opening sentence. If that doesn’t pull you in, I don’t know what would.

The author then switches to the present when Della is an adult. Despite her family history (more on that in a second), she seems to have everything together and has made a good life for herself. I instantly related to her because she is an English teacher.

I was not surprised to see that author is a former teacher because she accurately nailed every aspect of teaching. The school scenes brought back many memories, from engaging students to dealing with ineffective administrators. The reality and accuracy of those parts made me “trust” the rest.

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I’m not sure if that makes sense. If I know someone is accurate about a topic that I am knowledgeable in, I am more likely to go along with other aspects of the story, even if they seem a little off the mark.

Not that I think Della’s past is far-fetched. On the contrary, we know that evil exists in the world and that evil people have families that must deal with them. I’m referring to some of Della’s actions later in the book that could be considered (shall we say) professionally questionable. She oversteps and pushes the boundaries of professionalism, but she has her reasons.

I liked how the author kept the action in the present, but occasionally would flashback to another event from Della’s childhood. That plotting allowed the present-day action to continue while building the foundation from the past that continued to influence Della’s perceptions. It was effective.

My only complaint, and it’s pretty minor, is that while I appreciate how Della’s past shaded her judgment and cast doubt on her suspicions, I also felt like Zoey was too much of an enigma. Her motivations could have been more evident.

I also think the author had a great build-up to the “past’s” climax, but then it was all wrapped up in a few brief paragraphs. I think a little more detail there would have helped cement both Della’s story and given a platform to Zoey’s. The whole ending also seemed a tad rushed, given how evenly plotted the rest of the book was.

Regardless, it was engaging, and it certainly kept me guessing. I highly recommend picking this one up for a thrilling summer read.

Author Bio
Miranda Smith writes psychological and domestic suspense. She is drawn to stories about ordinary people in extraordinary situations. Before completing her first novel, she worked as a newspaper staff writer and a secondary English teacher. She lives in East Tennessee with her husband and three young children.

On the surface, this book is about two estranged sisters. When their grandmother, Bertie, passes away, she specifies in her will that to inherit anything, they must reconcile by spending a month at her beach house. The premise itself is interesting, but there is also so much more at stake than initially appears.

I thought that the author did a good job setting the stage for the “reconciliation.” It was apparent from the beginning that although they used to be close, Cassie and Julie had gone completely separate ways for almost 15 years. The reasons for that are revealed slowly, with small hints in the form of inner thoughts and barbed retorts giving the reader clues along the way.

I was very interested in the dynamic between Cassie and Julie. Cassie was very prickly and a huge chip on her shoulder, where Julie was easygoing to the point of being a pushover. Cassie took advantage of that, which made her somewhat unlikeable to me at first. I warmed to her over time, though.

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What I found particularly intriguing were the life choices that each of the women had made over the years of estrangement. Julie picked a husband who she felt took care of her (and not much else) in the form of control, something she had missed as a child. While Cassie, on the other hand, had made choices that were more along the lines of Julie’s mother. I thought this was a fascinating juxtaposition that was deeply explored and expertly relayed.

I thought that point that they had the same eyes (also the same as Bertie) was especially telling. Eyes are the windows to the soul. Cassie and Julie were more alike than either of them were willing to admit.

I liked how Bertie had everything planned out, right down to involving Craig. With the memories of both girls, and the opinions of Craig, she came across as the mother that neither girl truly had. She was also someone who I would love to know (especially because of her “New Age-y” vibe).

What made this book truly unique to me, however, was Julie’s narrating the dual princess stories. I could see where that was going from the beginning. I was thrilled that the author used that as part of her character development. It was so illustrative, and I loved it. I was also pleasantly surprised that one character did something that I didn’t expect (no spoilers, but I expected a different choice to be made).

I loved the poignancy, and the story was heartfelt. I loved this book and highly recommend it.

Author Bio
Cecilia is an author with a reading addiction — a serious one. She is a lover of wine and all things chocolate, and the proud mother of Babaganoush, an English Bulldog. She is also a recovering lawyer, but asks that you do not hold that against her.