June 8, 2020

I enjoyed Jessie’s Tucker’s first outing, The Silent Victim, so I was very much looking forward to her next “story.” What I got was a mixed bag, but part of that is due to my particular background knowledge.

I still like the fact that Jessie is a reporter. It adds a different angle to the crime investigation she undertakes, which makes it more interesting at times. It certainly cuts down on a lot of police procedure descriptions that, while informative, can sometimes bog down a story.

With Jessie being a reporter, we also get treated to a unique set of characters. Her co-workers at the Tribune are quirky individuals; They are definitely a different breed. I liked the interplay between Jessie and her co-workers, especially some of the stories they told.

Jessie herself did not speak to me as much as she did in the first book. I actually thought she was a bit of a mess (but maybe that was by design). She mentioned her past quite a few times, which got repetitive, and her character seemed uneven. There was one exchange with a police officer that seemed totally out of character – almost like the scene was supposed to be someone else, and Jessie was thrown in, but the dialogue wasn’t changed. It was strange.

I’m not sure how I feel about her search for answers to her past amid everything else, so I will reserve judgment on that until the next book to see how it all pans out.

I also thought that while the author did a great job of weaving the plot threads together into a captivating story, the resolution was way too rushed. After all of the build-up and the clues that Jessie had uncovered, a lot was just exposition. The entire book wrapped up over the last 8-10%, instead of being plotted as part of the story. I think the revelations would have been more impactful. As it was, just about all of the big reveals felt contrived and caricature-ish.

Also, and this is just a totally personal thing for me, I thought the author missed the mark on the NYPD. The codes were wrong, some police procedures were inaccurate, and other stuff was just outright offensive (again TOTALLY personal perspective here). NYPD is unlike any other police force, with its own jargon, codes, and way of doing things that are uniquely New York.

If using the NYPD, there should have been more considerable attention to detail. Given the importance of one plot point, for example, it was jarring that OCCB and RICO were not even mentioned. Those should have been obvious references. And I’m not even going to get started on undercover work. It all could have worked better in a different or fictional department.

BUT, and I can’t stress this enough, anyone without ties to NYPD will probably have no problem with the things I mentioned above. It was still a decent story, Jessie is a protagonist worth rooting for, and is as intrepid as ever. I do look forward to her next investigation.

Author bio:
Dana Perry is a New York City author who writes mystery thrillers featuring newspaper reporter Jessie Tucker. Twitter: https://twitter.com/DanaPerryAuthor

Picking up essentially where Tell Me Lies left off, the action in this book just keeps on rolling.

As in the first book of the Max Carter series, we start with a child abduction. If you read the first one, you know that makes sense because that’s Carter’s specialty. But it becomes apparent early on that there is much more going on than just that. There are nefarious characters, intricate connections, ulterior motives, and shady pasts (and presents) that need to be sorted out.

Fortunately, Carter is a hero who looks at the whole picture. Although there are times that he is on the wrong path, he is astute enough to realize it and change course accordingly. I like that he follows his instincts as much as the clues. I think his background (having been abducted by his father) sometimes gives him a different type of instinct.

**Amazon:** https://geni.us/B088FP74XHSocial
**Apple:** https://apple.co/3fDOxCm
**Kobo:** https://bit.ly/2WIxuqc
**Google:** https://bit.ly/2LmHoZi

As mentioned, there are a lot of mysterious connections and not everything is as it seems during the investigation. If you did not read the first book, you will definitely be missing some of them, and a few plot points may seem out of place (but they really aren’t).

I did find Carter’s relationship and interactions with his father to be somewhat jarring as they took me out of the main story. But I understand why they were important to the plot, because they gave more depth and insight into Carter’s reasonings and motivations.

There is an awful lot going on through the whole book, and there were a few times that I had to go back and make sure I knew what the connection or who the character was; and I read the first book. If you didn’t read it, I would highly recommend doing so, because it will make this one much clearer. And there is definitely a cliffhanger that indicates at least a third book in the series.

It’s a good one to get in on before the story gets more complicated, so start with Tell Me Lies and then move into this one for a strong hero and page-turning action.

Author Bio

Ed James is the author of multiple series of crime novels. The bestselling DI Simon Fenchurch series is set in East London and published by Thomas & Mercer. The self-published Scott Cullen series of Scottish police procedurals features a young Edinburgh Detective Constable investigating crimes from the bottom rung of the career ladder he’s desperate to climb. The first book, “Ghost in the Machine”, has been downloaded over 400,000 times, hitting both the Amazon UK & US top five.

The Craig Hunter books is a sister series to the Cullen novels, with a PTSD-suffering ex-squaddie now working as a cop investigating sexual abuse cases. With lots of slapstick and banter.

Ed lives in East Lothian, Scotland and writes full-time, but used to work in IT project management, where he filled his weekly commute to London by literally writing on planes, trains and automobiles.