What Only We Know by Catherine Hokin

Captivating. Compelling. Creative. Crushing.

Truly unforgettable.

This one will stay with me for a very long time.

I know that it is sort of backward to say that at the beginning of the review, but I can’t begin to explain how impactful this book was. The author has woven an incredible story that covers not one but two significant historical periods, and it is told with compassion and a deep understanding of humanity.

Right from the start in the prologue, set in 1971, it is apparent that there is a detailed story to be told. We then jump to Berlin, 1936. Anyone who knows even a little bit about history knows why this year is important, especially as it relates to WWII. The setting for Leise and Michael to have their first notable argument was also appropriate because it clearly outlined their perspectives.

I loved the unique setting of the fashion house, or salon, for the first part of the book. By utilizing a very international business, the author was able to highlight just how far-reaching the sanctions in Germany became, and how quickly they changed. I particularly liked the details, such as Paul urging Leise to identify the scents in the air. It was a moment of joy and beauty that belied the horrors growing in the city.

Once we meet Karen in the more contemporary timeline of 1971, the reader can start to draw some connections. However, the author does an admirable job of building Karen’s identity. I don’t want to give away plot points, but her experiences as an 11-year-old shape her reactions all the way to the very last pages.

It is difficult to put into words how well the author weaves both the WWII storyline and the 1970s storyline together. Suffice to say that in other books with dual storylines, I often find myself wanting to get back to one or the other. In this book, I was equally eager for both, especially later, when Karen was older.

Side note: her first entry into Berlin brought back strong memories. My parents and I went to Germany in 1983, and our experience going through Checkpoint Charlie was very similar to Karen’s. We were on a tour bus with a class of high school students, and their teachers had to reprimand them, reminding them of the rules for when the soldiers came on to check passports. It is a trip I will never forget, and Karen’s experience brought it all back.

But now, back to the review. By the time Kristallnacht occurs, Liese’s life turns upside down, inside out, and sideways. She is a formidable character, even as a teenager. I think that is what makes her character arc so compelling because, through her, we see how very simple it was for the Nazis to break even the strongest of people.

I appreciated that the author didn’t feel the need to wrap up people’s stories. Sometimes they just…disappeared. It was another stark reminder of how life was at that time. People came and went, and some were never to be seen again.

I’m starting to ramble now, and I’m not even halfway through the book! I will leave it that Liese’s life goes from bad to worse, and her actions suddenly become much more understandable. Karen also “grows up” when she finally realizes the truth of her mother’s story.

And that whole truth is about as gut-wrenching as anything I have ever read.

The reveal and reconciliation take place in the shadow of the Berlin Wall and stretches into 1989. Again, if you know anything about history, you see the significance. And this section of reconciliation was almost as powerful and moving as Liese’s story from WWII.

It’s a tremendous balancing act that the author accomplishes with aplomb. Straight to the top of my list for this year. I cannot recommend it highly enough.

Author Bio
Catherine Hokin is a Glasgow-based author writing both long and short fiction. Her short stories have been placed in competition (including first prize in the 2019 Fiction 500 Short Story Competition) and published by iScot, Writers Forum and Myslexia. She blogs on the 22nd of each month as part of The History Girls collective.