Based on the first chapter, I thought that the book was going to go in a completely different direction. I was expecting flashbacks to how Clare and Becca got to that starting point. I could not have been more pleasantly surprised when the action instead jumped to Flora, with seemingly no connection.
Shortly, however, the connection became apparent, and that is when the book really took flight. The author has a special knack for creating whole scenes that make it feel like you’re watching the action instead of reading it. I was fully immersed.
I liked the way that the author split the narration between Flora, Izzy, and (later) Clare. Reading the story from the three different perspectives allowed me to compare their personality traits and try to get to the underlying issues that were causing the conflict.
What was most interesting to me was that each of them was ultimately more like the others than they could have imagined. Being able to connect the dots and see each woman’s strengths and weaknesses gave added depth to the story.
I appreciated that the author gave some realism to the males in the story. For the most part, they are relatively tangential characters (even though Jack is a catalyst for it all), but their interactions with the women were natural and not forced. They were typical men, but admitted it and tried to improve where necessary. There weren’t any male-bashing or shallow stereotypes. They were just real.
Ultimately, it is a book about family and all of the ugly stuff that goes with it. Families are never perfect, and they don’t necessarily only connect by blood. They also are not always what you think they might be. The importance of communication is another theme. If the characters had talked with each other, to begin with, a lot of misunderstandings would have been avoided. Of course, then there wouldn’t have been a plot. And it wouldn’t have been as realistic, because those missteps are part of human nature and we have all made them.
This book was emotional but not manipulative, and I could not put it down. Watching each of the characters navigate through the trickiness of death and new relationships was ultimately heartwarming, and I highly recommend it.
Author Bio: USA Today bestselling author Sarah Morgan writes lively, sexy contemporary stories for Harlequin.
Romantic Times has described her as ‘a magician with words’ and nominated her books for their Reviewer’s Choice Awards and their ‘Top Pick’ slot. In 2012 Sarah received the prestigious RITA® Award from the Romance Writers of America. She lives near London with her family. Find out more at www.sararahmorgan.com.