January 6, 2020

I cannot think of another way to describe this book other than cinematic.

Yes, movies and movie quotes are a significant part of the plot, but it is so much more than that.

Scene descriptions were incredibly detailed and created vivid pictures. Events had depth and everything had a purpose. The book as a whole was focused and entertaining.

And heartbreaking.

Confession: I had to re-read the last few chapters twice. The first time I could barely see the pages through my tears. There was so much emotion flowing through the pages that it just got to me.

More than that, however, was the empathy that I felt for Arden.

I don’t want to give the whole thing away because it unfolds beautifully, and readers should experience it on their own. But her realization that her best years might be behind her, and subsequent understanding that she might have the possibility of a better future was heartfelt, realistic, and infinitely relatable. ‘Nuff said on that before I start crying again.

I loved the unique perspective of this story – a history told through movies that were significant to the relationship. The quotes that Arden and Mac remember prove that memories stay with us even as our lives change. It is no surprise that movies guide Arden’s life, given her mother’s propensity for fantasy and image.

I could go on and on about all of the things I liked about this book, but I am honestly having a hard time finding the words because it was just so epically beautiful in every way.

Do yourself a favor and pick this one up right away.

About Fiona Collins

Fiona Collins grew up in an Essex village, and after stints in Hong Kong and London, returned to the Essex countryside where she lives with her husband and three children. She has a degree in Film and Literature and has had many former careers including TV presenting in Hong Kong, traffic and weather presenter for BBC local radio and film/TV extra. You can find her on Twitter @FionaJaneBooks.

I always like a good plot that sneaks up on me, and The Good Mother fits the bill perfectly. What seemed like a study of suburban women and the packs that they form descended into a taut domestic thriller that explores the long-lasting effects of trauma.

I thought that the author did an excellent job of using the three women (Amy, Rachel, and Charlotte) to progress the character study. Amy, as the go-getter/Alpha, was the “Type A” mom that is familiar to many. Rachel, her supposed best friend, wanted to appease and be included. And Charlotte was the “New Mom in Town” who didn’t fit the suburban mom role.

I could find myself (at least a little bit) in each of these women, and I think that is why I enjoyed the book so much. My “allegiance” to the individuals ebbed and flowed with the story, which kept it interesting. I have been the new mom in town (although not a brazen or “artsy” as Charlotte), so I could relate to what she felt as she tried to fit in.

I least identified with Amy. I understood her desire to be the perfect mom (what mom doesn’t?) and connected with her drive to make sure that her family had everything they needed. However, her desire was more of an obsession, which was ultimately guided by childhood trauma. Her progression was the most interesting but the least relatable to me.

Rachel was the character I truly understood. She wanted to belong to the group and went along with everything, even when she thought it was wrong or didn’t want to take part. One incident with Amy stands out, as Rachel participated even as she knew she shouldn’t. I saw it as a turning point for her, as she realized that things were changing quickly and out of her control.

After all of the events of the book, I could also relate to Rachel’s feeling of wanting everything to be the way it was before. Whenever there is a monumental change, there is almost always the desire to return to what was normal (even if it actually wasn’t). That came across loud and clear to me.

I did especially like the way Amy and Charlotte’s plot lines interwove and eventually collided. I thought it was smart of the author to build the suspense – I honestly was not sure which way that was all going to go, but it was extremely satisfying.

Each mother in this story thought that they were doing what they could to be a good mother, and it was fascinating to see each of the approaches. It was also interesting to see the pitfalls and failures of each woman and where their choices could have been better. I could argue that this could be used as a cautionary tale as well as an entertaining novel.

This book started a little slow, but the tension built fast, and the author kept the pace moving. I would definitely recommend this book.

About Cathryn Grant

Cathryn is the author of the Alexandra Mallory Psychological Suspense series, Psychological Thrillers, Suburban Noir novels, The Haunted Ship Trilogy, and the Madison Keith Ghost Story series. THE GOOD MOTHER will be her second novel published with Inkubator Books.

Cathryn’s fiction has appeared in Alfred Hitchcock and Ellery Queen Mystery Magazines, The Shroud Quarterly Journal, and The Best of Every Day Fiction. When she’s not writing, Cathryn reads fiction, eavesdrops, and tries to play golf without hitting her ball into the sand or the water. She lives on the Central California coast with her husband and two cats.